My Favorite TV Shows & Films of 2016

Here are my top 10 favorite TV shows and films of 2016. Let’s get this year over with, shall we?!

TV SHOWS

CRAZY EX-GIRLFRIEND (CW)

There is no better gift to a theatre kid like me than Rachel Bloom and Aline Brosh McKenna’s brilliant and subversive tribute to romantic comedies and musical theatre. Crazy Ex-Girlfriend is fabulously self-aware, hilariously screwball, unapologetically feminist, and chock-full of must-see musical gems like the brilliant “JAP Battle,” Fifth Harmony parody “Put Yourself First” (that sax tho!), and Singing in the Rain send-up “We Tapped That Ass.”

Crazy Ex-Girlfriend knows exactly the show it wants to be and is refreshingly honest about its characters’ flaws, in particular, Rebecca Bunch’s (Rachel Bloom) anti-heroic delusions. If that weren’t enough, the show features a Filipino-American male romantic lead. Representation matters, y’all.

Season one is streaming on Netflix. I can’t recommend this show enough.

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SURVIVOR (CBS)

Even in its 32nd and 33rd seasons, Survivor still delivers surprises and shockers each episode. This fall’s season, Survivor: Millennials vs. Gen X, delivered a deliciously entertaining combination of shocking blindsides, next-level strategy, and compelling (and most importantly, likable) characters. #wow

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PLEASE LIKE ME (HULU)

This Australian import is my favorite television discovery of the year. Josh Thomas’ coming-of-age comedy, centered around a young, gay twenty-something, has stolen my heart with its upbeat charm and quirky characters. I love this show to pieces.

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THE AMERICANS (FX)

Each year, the best drama on television increases its heartbreaking stakes, while digging deeper into the emotional struggles of its characters. The Americans‘ unexpected dramatic instability kept viewers on edge all season long, as the stress of the Jennings’ real/fake marriage and their relationship with their teenage daughter were pushed to a near-breaking point.

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ATLANTA (FX)

Donald Glover’s brand new series swiftly and languidly navigates down the paths of the surreal and real, taking us to places TV hasn’t gone before. It’s a truly breathtaking endeavor.

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THE PEOPLE V. O.J. SIMPSON: AMERICAN CRIME STORY (FX)

By all accounts, Ryan Murphy’s adaptation of the O.J. Simpson trial should have been a hot mess, but instead the limited-run series was an engrossing triumph that drew thought-provoking comparisons to today’s society, bolstered by a dynamite trio of performances from Sarah Paulson, Sterling K. Brown, and Courtney B. Vance.

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BOJACK HORSEMAN (NETFLIX)

Raphael Bob-Waksberg’s profound and profane animated series mixes pathos with animal puns, and existential crises with Hollywood satire. The tremendous third season delivered one of the best episodes of TV this year: the dialogue-free, underwater-set “Fish Out of Water.”

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source: jellymonstergirl.tumblr.com

JANE THE VIRGIN (CW)

Jane the Virgin is consistently the most intelligent, emotional, and character-rich storytelling on television. It’s a confident warm blanket of a telenovela that delights in its open-hearted interpersonal relationships.

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source: b99.tumblr.com

AMERICAN CRIME (ABC)

The second season of this anthology drama, focused on an alleged rape of a male high school student by a fellow student on the school’s basketball team, features superb acting (Regina King! Felicity Huffman! Lili Taylor!) with powerful and provocative discussions about race, class, and sexuality.

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source: laquing.tumblr.com

BILLY ON THE STREET (truTV)

For a dollar, name another show on television that makes me laugh out loud more than Billy on the Street. Spoiler Alert: You’ll never get that dollar. Billy Eichner’s pop culture explosions are an incredible comedic tour de force.

One of my absolute favorite things of the year: Billy Eichner tells unsuspecting people on the street that Seth Rogen has suddenly died, while Rogen stands just feet away behind a camera.


FILMS

MOONLIGHT

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ZOOTOPIA

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THE LOBSTER

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SING STREET

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THE EDGE OF SEVENTEEN

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source: emliy-junks.tumblr.com

DON’T THINK TWICE

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source: keegansjordan.tumblr.com

OTHER PEOPLE

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LA LA LAND

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source: chazelle.tumblr.com

HUNT FOR THE WILDERPEOPLE

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source: henricavyll.tumblr.com

LEMONADE

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source: causeislay.tumblr.com

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Emmys 2016 Review: A Night of Surprises

Televised award shows can often be painful to sit through, but thankfully, there were enough surprises in the 2016 Emmy Awards to balance out the inevitable second consecutive wins for Veep and Game of Thrones. The potent combination of deserving first-time winners, moving speeches, and diverse voices at the podium made the night feel spontaneous and exciting. At its best, these Emmys, indeed, felt like a true celebration of what television has to offer, and many of the outcomes delighted me.

Master of None’s “Parents” was awarded the Emmy for Writing for a Comedy, an episode that focuses on two first-generation Americans asking their parents to tell the stories about their lives before coming to America. As a child of immigrant parents myself, this story hit straight to the heart. The episode brought me to tears and immediately after, I called my mother. *cue awwww* Awards aren’t the be-all and end-all, but it does feels good to know that this award reinforces the notion that these are stories worth telling. Even better was writer Alan Yang’s acceptance speech, which emphasized the need for more Asian-American stories:

There’s 17 million Asian-Americans in this country, and there’s 17 million Italian Americans. They have The Godfather, Goodfellas, Rocky, The Sopranos. We got Long Duk Dong, so we’ve got a long way to go. But I know we can get there. I believe in us. It’s just going to take a lot of hard work. Asian parents out there, if you could just do me a favor, just a couple of you get your kids cameras instead of violins, we’ll be all good.

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Kate McKinnon’s win for Supporting Actress in a Comedy for her work on Saturday Night Live was also a delight. She had a banner year, thanks to Hillary Clinton, and sketches like The One Where She Was Abducted By Aliens And Ryan Gosling Couldn’t Keep It Together. McKinnon’s humble shout-outs from Hillary Clinton and Ellen Degeneres, to her writing partners, the now co-head writers Sarah Schneider and Chris Kelly (watch his new film Other People!), to her late father who pushed her to watch SNL as a child, were particularly moving.

Director Jill Soloway, who won for Transparent, gave a particularly rousing acceptance speech, with a passionate plea to “topple the patriarchy.” Soloway centered the storytelling of queer and trans women in her acceptance speech:

When you take women, people of color, trans people, queer people, and you put them at the center of the story, the subjects instead of the objects, you change the world, we found out. This TV show allows me to take my dreams about unlikeable Jewish people, queer folk, trans folk, and make them the heroes.

Transparent’s Jeffrey Tambor’s won Actor in a Comedy for his thoughtful portrayal of Maura Pfefferman, and his speech concluded with a heartfelt plea of his own: a call for greater hiring of transgender talent. Witnessing diversity in storytelling from a pioneering show like Transparent be richly rewarded was a step in the right direction.

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American Crime was one of my favorite television shows of the year. The anthology drama couples superb acting with powerful and provocative discussions about race, class, and sexuality. It was gratifying to see Regina King be recognized two years in a row for her magnetic work as a mother of a high school basketball player team accused of assault.

Although I was rooting for the cool threat that was Bookeem Woodbine’s Mike Milligan from Fargo, I was happy that the award went to Sterling K. Brown’s understated performance as Christopher Darden in The People vs. O.J. Simpson: American Crime Story. The thrilling wins for Courtney B. Vance and Sarah Paulson, who played Johnny Cochran and Marcia Clark, respectively, proved the stellar casting for Ryan Murphy’s series. These three captivating actors took on historical figures familiar to the American public, and breathed new life into their narratives, making their portrayals deeply sympathetic and human. Paulson was one of the locks of the evening, and her win was long overdue.

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On the flip side, yes, The People vs O.J. Simpson was excellent television, but I’m disappointed that Fargo’s remarkable second season was shut out in the process, coming up empty-handed in every category it was nominated in. Was this season too left-field for voters? Too bleak or violent? Too wrapped up in Midwestern quirk, and mysticism? Sigh.

Grease Live was a fine technical feat, with swift and precise direction by Alex Rudzinski and Hamilton‘s Thomas Kail. The live broadcast navigated multiple indoor and outdoor sets, live crowds, inclement weather, and more, but the conceit has been done before, even if it was the best of this new generation of live musicals. Beyoncé’s Lemonade was an artistic achievement like no other. Queen B should have won Directing for a Variety Special and taken one more step closer to EGOT status.

Rami Malek’s performance as Elliot Anderson was a singular triumph on Mr. Robot. Malek tackled such an intense character plagued with drug addiction, social anxiety, and mental illness, but always found ways to humanize him. We don’t often see characters on television like Elliot, much less see their performances rewarded, so this win for Lead Actor in a Drama felt important. Plus, bae looked good in a white Dior suit.

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Host Jimmy Kimmel joked in his opening monologue that “the only thing we value more than diversity is congratulating ourselves on how much we value diversity.” As the night went on, the more this notion seemed true. However cynical Kimmel’s quip was, it was refreshing to see the stage visited by African-Americans, Asian-Americans, queer women, an Egyptian-American, and sure, a couple of white men here and there too.

At last weekend’s Creative Arts Emmys, Crazy Ex-Girlfriend‘s took home two trophies for Single-Camera Picture Editing for a Comedy and Choreography. How it lost Main Title Theme Music to Jessica Jones (?!?!?!) is beyond me. One is a sunny, catchy earworm that jabs at sexism, while the other is a bland jazz number. The winner is completely obvious to me, but I guess the situation’s a lot more nuanced than that. Regardless, just let the words “Emmy Award-Winning Crazy Ex-Girlfriend” sink in. We’re so #blessed!

The best show on television, The Americans, was woefully ignored, after being finally being invited to the party in its fourth season. When Character Actress Margo Martindale’s won for Guest Actress at the Creative Arts Emmys, for a role with seemingly less than ten minutes of screen time, I was hoping that the award boded well for the show’s Emmy chances come Sunday night. Alas, the night was not for The Americans. Keri Russell and Matthew Rhys, your time has yet to come. Next year, Game of Thrones will air outside of eligibility for the 2017 Emmys, leaving a dragon-sized void in the race. With the HBO juggernaut out of the mix next year, could The Americans finally emerge victorious?

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This Is Our Now: Our 30 Favorite American Idol Performances

We’ve reached #IdolFinale week, and as I write this post, 50+ Idol alumni are rehearsing in Los Angeles for the finale on Thursday. Here’s a pretty millennial sentence for you: American Idol’s Snapchat is taking us backstage of the finale rehearsals, and thanks to alumni shout-outs from Season 2’s Kimberly Locke, to Season 6’s Melinda Doolittle, and more, I am instantly nostalgic about these past 15 years. Looking back at Idol’s tenure and re-watching old clips on YouTube, it’s dawned on me just how much this show has been a part of my life.

I’ll miss the sense of community Idol formed, from the engaged viewership voting week to week, to music and TV critics and bloggers, to the contestants themselves. What makes this show so special is that we, the viewers, have a sense of ownership of these contestants. We’ve supported and invested in their artistic growth. We journeyed along with them from their obscurity to stardom. We fell in love with their stories and for a brief moment of confetti, the American Dream felt real.

For myself and my Idol partner-in-crime, Jonathan Yu, we’ve lived and breathed Idol for half our lives. We’ve had lengthy Gchat debates after each episode. We’ve blogged and blogged and blogged about this show. We auditioned for Idol Season 10 together at AT&T Park. We’ve attended Idol tours and concerts. We participated in online Fantasy Leagues. I even won an iPod Nano in a Fantasy League once… which I traded in for cash to buy Idol concert tickets. Between the two of us, we’ve seen all the Idol winners perform live, excluding Ruben Studdard, Taylor Hicks, Phillip Phillips, and Nick Fradiani (sorry, boys!). So yes, we’re Idol geeks, and my heart belongs to this silly show.

So without further ado, here are our 30 favorite American Idol performances: 15 from me, 15 from the other Jonathan. You know, to celebrate Idol’s 15 seasons.

This isn’t a list of the 30 “Best” American Idol performances, mind you. These are the moments that have stayed with us all these years and will for years to come, until Idol is inevitably rebooted.

American Idol Fave Performances

JONATHAN AMORES’ 15 FAVORITE PERFORMANCES

1. Kris Allen: “Heartless” (Season 8)

Seasons 7 and 8 were peak Idol. The show didn’t just find a great group of singers those years, but it showcased a diverse range of memorable musicians who delivered surprises in different styles each week. For me, Idol reached the apex at Season 8’s Top 3 night. Kris Allen was going up against the brilliant risk-taker Adam Lambert and the perpetually frustrating Danny Gokey. The week before, Danny performed an abysmal “Dream On” and miraculously survived elimination. If he managed to outlast the sublime Allison Iraheta with that train-wreck, he would certainly derail Kris. No pressure, Kris…

“Heartless” was the right song at the right time. Not only was it a killer acoustic performance, it was a seismic shift that rocked Idol viewers. Kris’ a cappella intro into soared through the air and he began to accompany himself on guitar. A few more bars in, and you realize, “Oh damn, this entire song is acoustic.” Kris was making a statement. “Heartless” grew in intensity from there, creating a beautiful arc, rising up to some killer high notes. When the song ended, a smile registered on Kris’ face. He did it. The game changed. Kris made it into the finale. In fact, this was moment he won the entire season. Never underestimate the underdog.

2. Haley Reinhart: “Bennie and the Jets” (Season 10)

I had to impose a limit on this list: only one performance per contestant. If I didn’t self-impose, I’d have listed Haley Reinhart’s “I (Who Have Nothing),” “House of the Rising Sun,” “What Is and What Will Never Be,” AND “Bennie and the Jets.” To put it bluntly, Haley is a magical siren and we are #blessed to have her in our lives.

Here’s a little truth-bomb for you, I HATED Haley’s performances up until this point in the competition. I just couldn’t wrap my ears around her slinky growl or her jazz-influenced style. That all changed with “Bennie and the Jets.” It was like watching a beautiful rocket ship blast off to the moon. There was so much joy emanating from her being as she bit into every “Benniiiiiiie!” She owned the stage with every confident step and arm wave and everything just clicked. Haley had arrived and “Bennie and the Jets” instantly became my ringtone.

3. David Cook: “Billie Jean” (Season 7)

David Cook is the most influential American Idol winner, not through his post-Idol career, but in the way he approached his performances on the show. He made theme nights work for him, rather than molding his songs around the often stodgy themes. David flipped songs on their heads, maintaining and strengthening his artistic integrity, while staying true to the songs’ lyrical content. His bold approach to Idol performances paved the way for artists like Kris Allen and Adam Lambert the following season, all the way to Season 15’s MacKenzie Bourg.

The judges love to use the phrase “Making the song your own,” and with “Billie Jean,” David did just that. He took Michael Jackson’s R&B dance-pop classic and transformed it into a commanding and haunting ballad. He imbued every lyric with swagger and amplified it with his vocal prowess. Each of his renditions were a surprise. David Cook bent the competition to his strengths and inspired contestants for years to come.

4. Carrie Underwood: “Alone” (Season 4)

As a contestant on the show, Carrie Underwood’s Idol performances were underwhelming. She had all the charisma of a farm girl who had never stepped onto an airplane before the show. After seeing two of her arena tours, I can attest that she’d definitely grown into her confident persona. Her songs on Idol were well-sung, yet wholly unremarkable. Well, all performances except one.

When Carrie tackled Heart’s classic anthem, she instantly lit up the screen. Powerful vocals aside, “Alone” was all about three things: the hair, the smoky eye, and the power stance. After her electrifying performance, Simon Cowell made his prophetic critique: “Not only will you win this show, you will sell more records than any other previous Idol winner.” He was right and the rest was history.

5. LaToya London: “All By Myself” (Season 3)

LaToya London was the first singer on American Idol that I claimed as my own. I voted for her each week, as she delivered flawless performance after flawless performance. I became defensive on her behalf when she was criticized for not having a dynamic enough personality. I was utterly heartbroken at her elimination, falling just short of the finals in fourth place, behind the over-her-head Jasmine Trias. LaToya was the least flashy of the Three Divas (LaToya London, Jennifer Hudson, Fantasia Barrino), and I loved her even more for that. She was my powerhouse singer.

LaToya broke onto the scene during the semi-finals with a jaw-dropping rendition “All By Myself.” Her astonishingly clear vocals, stunning grace, and profound emotional resonance aimed straight to my heart. Not to mention, she was from Oakland. Bay Area REPRESENT.

6. Jena Irene: “Can’t Help Falling in Love” (Season 13)

I can’t help falling in love with Jena Irene’s suave, stripped-down arrangement. The way she envelopes you with her voice while accompanying herself on the piano—it’s truly breathtaking. The Queen did the King proud.

7. Kelly Clarkson: “Natural Woman” (Season 1)

There’s a reason that Idol is the House That Clarkson Built. Her confidence and vocal prowess in “Natural Woman” are unmatched. And that whistle note. My God.

8. Allison Iraheta & Adam Lambert: “Slow Ride” (Season 8)

“Slow Ride” is the best duet that has ever been performed on American Idol. Granted, the bar was never very high, but this tag-team of two powerhouse rockers is pure perfection.

9. La’Porsha Renae: “Diamonds” (Season 15)

It’s such a thrill to watch La’Porsha Renae perform. Her runs and phrasing are insane and wonderfully unexpected, yet she is always in control of her powerful instrument.

10. Allison Iraheta: “Cry Baby” [Elimination] (Season 8)

Yes, picking this song is a cheat, but this performance is SO good it has to make my list. Allison fuels her send-off with the pain and heartbreak of her undeserved elimination. (GTFO Danny Gokey smirking!) Just look at the tears in her eyes. Allison just lets it go and leaves it ALL on the Idol stage.

11. Blake Lewis: “You Give Love a Bad Name” (Season 6)

Blake Lewis knocks it out of the park with his fresh, invigorating take on a Bon Jovi classic. His beatboxing tricks may come across as cheesy now, but they jolted life into the Season 6 finale.

12. David Archuleta: “Imagine” (Season 7)

Archie is just pure vocal honey. His voice is rich, creamy butter. He is all puppy metaphors wrapped up in a fuzzy blanket with a little red bow on top.

13. Avalon Young: “Yo (Excuse Me Miss)” (Season 15)

This performance just puts a smile on my face. Avalon Young is a refreshing breeze of flirty R&B swag. She exudes a coolness unlike any other contestant in Idol‘s fifteen seasons.

14. Skylar Laine: “Stay with Me” (Season 11)

Skylar Laine is a firecracker, plain and simple. She feels the music so deeply, she just HAS to stomp her feet and shake her hands. Her unbridled energy needs to be released into the world.

15. Naima Adedapo: “Umbrella” (Season 10)

Fearlessness. Pure fearlessness. In one song, Naima dances. Naima raps a self-written rap. Naima shouts, “BOOM! FIYAH!” I mean, come ON. How can you not be entertained?!

JONATHAN YU’S 15 FAVORITE PERFORMANCES

1. Haley Reinhart: “House of the Rising Sun” (Season 10)

Everyone loves an underdog, and no one embodied that better on Idol than Haley. While I have liked her since her over-the-top but fantastic rendition of “God Bless the Child” in Hollywood, it was easy to see why she was not exactly a fan favorite in the first few weeks of live performances. Thankfully, she somehow managed to stick around until her tide-changing performance of “Bennie and the Jets.”

On Top 5 night she sang the bejesus out of an unreleased (at the time) Lady Gaga track, “You and I,” which earned only lukewarm comments from the judges (who would later go on to bus her harder than any other contestant). This made the revenge even sweeter when she came back in round two with one of the best performances on Idol ever – “House of the Rising Sun.” It’s a comfort to know that she is gaining viral success thanks to her frequent collaborations post-Idol with Postmodern Jukebox and unlikely partnership with Extra Gum (and no thanks to revisionist JLo).

2. Jasmine Trias: “Inseparable” (Season 3)

Back before the age of YouTube, I used to frequent Idol forums to read up on the latest Idol news and get MP3 rips of performances (S/O to idolforums.com!). At the beginning of Season 3, there was a whisper of a Hawaiian girl who really wowed the judges at her first audition, but did not get any airtime before the semifinals. I was instantly drawn to her because here was someone getting buzz who looked like me. In an age where Asian American representation in the media boiled down to, ironically, William Hung from earlier in the same season, I just wanted her to be good so badly.

While her initial outing during semifinals week did not elicit a “Wow” as much as a “This girl has potential,” her second live performance, on the Top 12 episode, made me so incredibly happy. I had my doubts about her choice of “Inseparable” by Natalie Cole (RIP), since I loved Kimberly Locke’s rendition of it from the previous season. However, as soon as she opened her mouth, I shut mine, and then opened again as my jaw hit the floor during the chorus. This is probably the most excited I have ever been about an Idol performance in my life. #Representation. It’s a pity she went on a steady decline after and overstayed her welcome, but INSEPARABLE, y’all!

3. Allison Iraheta & Adam Lambert: “Slow Ride” (Season 8)

Duets on Idol can be a really hit or miss sort of affair. And on the first night they were introduced, we saw both sides of that. On one hand, a duet can bring out the worst in the contestants, turning a performance into a shouting match (see: “Renegade”). On the other hand, when the two contestants are in sync, it’s one of the most joyous things to witness.

Case in point, when Adam and Allison teamed up for “Slow Ride,” they produced something greater than the sum of its already great parts. While duets are more often duds than not, I am just thankful that this performance opened up the doors for the Jessica/Joshua and Caleb/Jena duets that followed in its footstep. Let’s just forget this ever happened.

4. Fantasia Barrino: “I Believe” (Season 3)

I’ll be the first to admit that, while I appreciated her talents, Fantasia was not my go to diva of Season 3 initially (go JHud!). Heck, she wasn’t even my second go to diva of the season (Go LaToya!). Her distinctly rough yet nasally tone peeved me, along with many others, if internet comments are to be believed.

Somewhere along the way, though, I started to understand the appeal in her raw and passionate vocals. “Summertime” remains the best Idol performance of all time, in my opinion, but it’s her coronation song that made me cry (but not out loud!). Idol winner singles are usually trite and corny affairs, but she made it a soulful and uplifting anthem. American Idol trades in inspirational stories, and hers is one most hopeful.

5. David Cook: “The World I Know” (Season 7)

Season 7 was a pivotal season for Idol. It was the last season before Kara DioGuardi would introduce the word “artistry” into the her critiques (read: every critique). In an era where the norm was essentially vocalists singing karaoke (granted, VERY good vocalists singing VERY good karaoke), David came in and broke the mold.

With a string of innovative performances (“Hello,” Billie Jean,” and “Always Be My Baby” come to mind), he forever changed the game. His mic-drop moment, for me, came in the finale when he chose to end with “The World I Know” instead of a reprise, much to the chagrin of Simon. The haunting and beautiful choice was the perfect ending for an Idol run that defied expectations.

6. Sonika Vaid: “Bring Me to Life” (Season 15)

One of the prettiest voices to grace the Idol stage. This performance lived up to its name and BROUGHT. ME. LIFE. It’s a shame that she went the way of Jasmine Trias afterwards though.

7. Jennifer Hudson: “Weekend in New England” (Season 3)

It seemed like she was finally on track to go far after her spectacular performance of “Circle of Life,” but alas, it was not to be. Her final Idol performance gave me goosebumps for days. Still the best pure belting voices on Idol ever.

8. Tamyra Gray: “A House Is Not A Home” (Season 1)

While I did not watch Season 1 when it was on, I went back and re-watched most of Tamyra’s clips before Season 2 started. This was a perfect performance, and her boot was the controversy that put Idol on the map for many people, including myself.

9. Kelly Clarkson: “Stuff Like That There” (Season 1)

After proving she can sing pretty much any Aretha Franklin song, it was unexpected to hear her sing this song, and sing it flawlessly. It goes to show that Kelly Clarkson can, in fact, sing ANYTHING.

10. Jena Irene: “Can’t Help Falling in Love” (Season 13)

When it comes to piano ballads, Jena is the queen. This was moving and so perfectly suited for her unique and powerful voice.

11. LaToya London: “Don’t Rain On My Parade” (Season 3)

As far as I know, this was the one and only time Idol let a contestant do two songs back to back. Following “Too Close For Comfort,” which could be career best for any other contestant, she proceeded to take it home with “Don’t Rain On My Parade,” which remains one of the most perfect vocal performances on Idol ever.

12. Elliott Yamin: “Moody’s Mood For Love” (Season 5)

Jazz is a bit underrepresented on Idol, but thank goodness for Elliott, who managed to completely nail this incredibly difficult song. Boy’s got SOUL.

13. Sarina-Joi Crowe: “Mama Knows Best” (Season 14)

The entire performance was like a vocal high-kick, and then she finishes it off with an actual high-kick. *Mic-drop*

14. Carrie Underwood: “Alone” (Season 4)

The only Idol performance of Carrie’s that a normal person would remember. This performance sealed the already-sealed deal for her, and inspired too many pale imitations to this performance on later seasons (save Allison Iraheta’s also-fantastic rendition).

15. Kris Allen: “Ain’t No Sunshine” (Season 8)

This performance propelled him from “great contestant” to “contender.” The finale reprise was somehow even better than the first show-stopping performance.

My Final American Idol Rankings: Season 15’s Top 10

THIS… is the Farewell Season of American Idol! Who will be the final winner in the House that Kelly Clarkson Built?

It’s only fitting the biggest thing to come out of the Top 10 reveal night was Kelly’s vulnerable and heartbreaking performance of “Piece By Piece,” quite possibly the crown jewel of American Idol performances. She gave the last batch of contestants a master class in pure, emotionally connected performances. Some people wait a lifetime for a moment like this. What a talent.

This fifteenth season will be my fifth and final year writing about this silly pageantry I hold so dear in my heart. Here is my ranking of American Idol 2015 Season 15’s Top 10, from most to least favorite contestant:

American Idol Season 15 Top 10

Avalon YoungAvalon Young: Avalon Young will not win American Idol. It’s a damn shame, because she’d make a perfect bookend to Kelly Clarkson’s win. Like Kelly, Avalon is someone you’d just want to hang out with. She’s just sooooo cool, sitting in a pocket of 90s flirty swag. Avalon exudes an effortless, breezy confidence and her beautiful, infectious R&B-toned performances just look and feel so natural. I worry that we’ve seen all that Avalon can do, but I have faith that she has that killer competitive instinct to deliver knockout moments. All in all, Avalon is just such a f*cking delight.

LaPorsha RenaeLa’Porsha Renae: La’Porsha Renae should win American Idol. In terms of pure talent, she is head and shoulders above the rest of the competition. She masterfully commands the stage with her powerful runs, yet she is always in control of her vocals. Her musicality surprises at every turn, and in each performance you can see that she’s hungry for the win. La’Porsha has the vocal dexterity, emotional connection, and the inspiring motivation as a single mother to drive her to the end. She would be the perfect final winner. Even guest judge Kelly Clarkson predicted her win after La’Porsha’s showstopping “Diamonds.” It’s a must-watch.

MacKenzie BourgMacKenzie Bourg: MacKenzie Bourg will win American Idol. He performs like an Idol winner. He sounds like an Idol winner. He looks like an Idol winner. MacKenzie is the absolute epitome of Idol‘s White Guy With Guitar winners (David Cook, Kris Allen, Lee DeWyze, Scotty McCreery, Nick Fradiani). MacKenzie’s style is closest to my #1 Mr. Allen, but he isn’t nearly a strong a singer as Kris is, nor has he taken any creative risks as Kris has yet. MacKenzie hasn’t expanded his musical palette and needs some strong creative performances and surprising re-arrangements to really set himself apart. He’s got the doe-eyed angst, now let’s see the artistry.

Sonika VaidSonika Vaid: Sonika is the quintessential American Idol old-school contestant. She’s a technically proficient singer, with a clear, strong vocal instrument. Sonika needs to figure out how to harness and deploy her voice effectively and tap into her emotions, or she could follow in the footsteps of the dearly departed Pia Toscano. Thankfully, she’s beginning to show signs of personality. Exhibit A: her dramatic rendition of “Bring Me to Life.”

Trent Harmon: Poor Trent will forever be known as the Guy with Mono. I like his buttery, soulful tone, but his vibrato can get away from him. In his higher register, he sings right up to the edge of wailing, which can grate on the ears (while his face-pulling can grate on the eyes). On the plus side, Trent is nothing but genuine and open-hearted.

Olivia RoxOlivia Rox: Olivia is spunky and confident, and possesses maturity that stretches beyond her 17 years. I like her warm pop-rock tone, but she can sound squeezed in her vocals. Her bright stage presence makes for appealing performances, although at times, moments come off as a bit rehearsed and stagey.

Dalton Rapattoni: If Mackenzie Bourg doesn’t win American Idol, I could see this mini Billie Joe Armstrong right up there. Dalton is all about interpreting music into his own Forever 21 rocker style, yet he cultivates an air of unconvincing inauthenticity. His performances come across as all flash, little heart. Unlike La’Porsha, whose passionate hunger motivates her performances, Dalton just comes off as #THIRSTY.

Tristan McIntosh: Now we get to the three 15-year-olds, who don’t deserve to be at this level. It’s unfortunate that this is the farewell season of Idol, as Tristan, Lee, and Gianna could really benefit from five or ten more years of experience. The raw talent is there, but it’s too raw at this stage. Go out and LIVE, kids! Tristan is somehow both overly-emotive and overly-dull, both of which amplify her tendency to sing flat. Kudos to her for wanting to be a country star as a woman of color, though. In a few years (or more), she’ll gain the emotional intelligence and experience to really make an impact with her music.

Lee JeanLee Jean: Lee Jean is pleasant, slight, and inoffensive. There is honestly nothing remarkable about him, other than his fresh-faced demeanor. Charm can only get you so far. And we get it, Lee, you love your Ed Sheeran. Move on, please.

Gianna IsabellaGianna Isabella: Gianna would not have gotten this far if her mother weren’t pop singer Brenda K. Starr. Gianna is certainly a determined teenager, but you can see her thinking so hard about hitting the right notes. She’s so transparent and paint-by-notes, it’s like watching a child play dress-up in her parents’ clothes. Gianna lacks the emotional maturity to ground her unrefined singing. There’s nothing behind her eyes, just steely eyed pluckiness.

My 15 Favorite TV Shows of 2015

Welcome to #PeakTV!

SURVIVOR

FARGO

THE AMERICANS

BOJACK HORSEMAN

MAD MEN

THE FLASH

JANE THE VIRGIN

FRESH OFF THE BOAT

TRANSPARENT

BILLY ON THE STREET

Rounding out my Favorite 15:

CRAZY EX-GIRLFRIEND
SILICON VALLEY
UNBREAKABLE KIMMY SCHMIDT
PARKS AND RECREATION
BETTER CALL SAUL

What I’m Watching: Fall 2015

The fall 2015 television season is here, right as we enter the age of “Peak TV,” with seemingly too many television series out there to consume.

At the summer Television Critics Association press tour last month, John Landgraf, the president of FX Networks, stated that “there is simply too much television” in our current landscape. According to Vox, “In 2009, there were 211 primetime scripted series on television. That number steadily climbed until in 2014 there were 371, an increase of 160 shows. FX expects the number to top 400 in 2015.” That number doesn’t even included reality television, talk shows, game shows, etc. It’s downright impossible for a person to sample every show that’s out there and once you’ve dropped a show, it becomes even harder to pick it back up.

In the opening number of the 67th Emmy Awards, host Andy Samberg tackles the issue of “Peak TV” head-on by locking himself in a TV Viewing Bunker for a year to catch up on every show:

So where does that leave me? I’ve made peace with the fact that I’ll probably never watch the most critically acclaimed new series from this past summer, UnREAL and Mr. Robot, or the 2015 Emmy winners for Outstanding Comedy, Veep, and Drama, Game of Thrones (but let’s be real, Mad Men should have taken the trophy for its final season, or better yet, the real best drama series, The Americans, should have been nominated in the first place). I’ll take solace in the fact that I’m enjoying what I choose to watch. I don’t believe in guilty pleasures. If a TV show gives you pleasure, more power to you!

Special shout-outs to the shows I watched in the past two months: CatastropheBoJack Horseman season two, Wet Hot American Summer: First Day of Camp, Transparent, and Orange is the New Black season three. I highly recommend all of these excellent shows, especially BoJack Horseman, an uproarious, yet painfully bleak and honest, examination of depression, as filtered through the lens of an animated anthropomorphic horse. Will you get to watching these shows? “They’re on my list,” I’m sure you’ll say. #PeakTV

What I’m Watching:

Scream Queens – Premieres September 22 on FOX

Welcome to Ryan Murphy’s twisted take on campus slasher films! I’m cautiously optimistic about this show, with an emphasis on the cautiously. Ryan Murphy productions start with a bang (see: the first two seasons of Glee and American Horror Story. Ok, fine, maybe just season of Glee.) and they unfortunately get caught up in their own frenetic messes, ending with a whimper (see: the other seasons of Glee and American Horror Story).

Fortunately for viewers, Scream Queens doesn’t seem to have any higher aspirations than being a gleeful, campy, bloody bubblegum confection that offs a character each week to comically gruesome effect. Plus, I can’t help but root for a cast that includes Nasim Pedrad, Jamie Lee Curtis, Ariana Grande, and Nick Jonas. I mean, come on. There’s a fine line between bitchy, catty entertainment and outright meanness. Tread carefully, Ryan Murphy. Here’s hoping it’ll be fun to watch this sorority-set series inevitably fly off the rails!

Fresh Off the Boat – Returns September 22 on ABC

As the first network TV show to feature an Asian-American family in 20 years, expectations for Fresh Off the Boat were dangerously high. To make matters worse, in the weeks leading up to the premiere, Eddie Huang, who wrote the memoir on which the show is based, trash-talked his own team members for diluting his personal experiences. Thankfully, when the first episode debuted, you could feel the collective exhale of Asian America. It was a sigh of relief that this family sitcom was extremely funny, witty, and heartwarming to boot. There were no reasons for audiences to hang their heads in shame. Fresh Off the Boat made specific cultural experiences universal and reset the television defaults of what it means to be a sitcom family.

Constance Wu, who plays the matriarch Jessica Huang, addresses the issues of representation in an insightful Buzzfeed interview:

The Asian-American experience [is something] a lot of us as Asian-Americans really haven’t explored, because they lump us all into one… It’s terrifying to say, ‘This is a thing that is complex and worthy of our time,’ but it is complex, and that’s why you’re not going to always find an easy, palatable answer. I think [the show is] trying to approach that complexity in a very traditionally simplistic form. And I think if we can do that, it’s almost its own type of activism.

I’ve jokingly shared on social media that I love that I can see myself on television, as the youngest brother, Evan Huang. The sentiment is silly, but completely true. This quirky, sweet-natured, delicate boy is definitely me and it’s a feeling that I’ve cherished. It’s progress.

Survivor – Returns September 23 on CBS

I’ve never been more excited about a season of Survivor in 31 seasons than I am about Survivor: Cambodia – Second Chance. And neither have any other of Survivor’s ten million viewers. Twenty returning players were voted in by America to compete for a second chance to win the million dollars and the title of Sole Survivor. After All-Stars and Heroes vs. VillainsCambodia is only the third season to feature all veteran players. This past summer, I re-watched Heroes vs. Villains, arguably Survivor‘s best, for the third time and this new season has all the potential to match HvV’s soaring highs.

Some of these players, like Borneo’s OG Kelly Wigglesworth and Australian Outback’s Jeff Varner and Kimmi Kappenberg, have waited over a decade for the opportunity to play again. Every single one of these contestants is here to WIN, ready to overcome their earlier flaws, course-correct for past mistakes, over-compensate for character flaws, underestimate and overpower the competition, and outwit, outplay, and outlast to the Final Tribal Council. The hunger is real.

Each contestant has a strong storyline going into the competition: Can Stephen Fishbach shed his overwhelmingly large target of being a Survivor Know-It-All podcast host? Will Ciera Eastin be able to convince her tribemates she’s a trustworthy player after she voted out her own mother in her previous season? Will Abi-Maria Gomes be able to cool her hot temper and play nice with others? Will Spencer “Charlie Brown” Bledsoe finally be able to kick that football set up by Chaos Kass? The list goes on… What makes this season so exciting is that each person comes in with so much baggage and so much to prove. You can read some of my thoughts on the cast here.

Peih-Gee Law

Peih-Gee Law (source: EW.com)

Who am I rooting for? In addition to the aforementioned Jeff Varner (love his cheeky energy) and Stephen Fishbach (love his quick wit), I’m pulling for for my friend, Survivor China’s Peih-Gee Law, who famously was good at Sudoku and claiming victory of the last of her tribe, ultimately achieving 5th place. Will she be able to keep her emotions in check and not make waves in the early goings of the game? If so, Peih-Gee will at least make it to the merge. In pre-game interviews, Peih-Gee talked about a smart strategy she picked up from fellow China player, Amanda Kimmel:

You have to find someone really strong […] like a Woo…who will be able to win challenges, but he’ll be kind of a target after the merge, which is fine because then I won’t be a target. Then you want somebody weaker, like maybe like Kass. They’re good to have by your side because if they want to get rid of someone who’s not good at challenges, then you’re protected. And then, these people, the weaker ones and the stronger ones, they’re the targets.

Who am I picking to win? Looking at the winners of the two previous all-star seasons, Amber Brkich and Sandra Diaz-Twine, both women entered the game as unassuming characters. They laid low and watched as the bigger targets take each other out each week. I see the same characteristics in San Juan Del Sur’s Kelley Wentworth. Although we never fully saw her game in her first season (which means neither did her competitors), she seemed smart and level-headed enough to be a savvy player. Kelley enters Cambodia without a huge target on her back, but possesses great potential. If she aligns with the right players, she could fly under the radar, make smart moves to get her to the end, and emerge victorious.

How to Get Away With Murder – Returns September 24 on ABC

To be honest, I was a bit on the fence about returning to this Shondaland series. Only Viola Davis’ magnetic and emotionally fraught tornado and Jack Falahee’s voracious sexual appetite and surprising vulnerability proved to be compelling characters. The rest of How to Get Away With Murder’s ensemble was merely beautiful set dressing. I also couldn’t stand Wes and Rebecca at all, separate or together.

Ultimately, Viola Davis is worth the price of re-admission. Her extraordinary history-making Emmy acceptance speech brought me to tears. As the first African-American woman to ever win Lead Actress in a Drama Series, her words were a powerful and inspiring indictment of the decision makers of Hollywood, highlighting how few opportunities women of color have had the chance to even compete for the title.

‘In my mind, I see a line. And over that line, I see green fields and lovely flowers and beautiful white women with their arms stretched out to me, over that line. But I can’t seem to get there no how. I can’t seem to get over that line.’

That was Harriet Tubman in the 1800s. And let me tell you something: The only thing that separates women of color from anyone else is opportunity. You cannot win an Emmy for roles that are simply not there.

I will keep watching to support your trailblazing work, Viola Davis. Here’s to you!

The Flash – Returns October 6 on The CW

Simply put, The Flash is fun, fun, fun. The mere thought of more adventures in Central City fills me with joy. The Flash is a winning combination of celebrating the heroics of superheroes and meaningful, emotional character relationships. Of all the shows I watched last year, I’m certain I cried the most and hardest at The Flash season one finale. Damn you, Grant Gustin, and your beautifully emotive, tear-streaked face! This upcoming year spirals further down the comic book spiral, introducing a parallel universe and the original The Flash, Jay Garrick. I’m not a superhero superfan by any means, but I’m in for whatever thrilling twists are coming our way.

American Horror Story: Hotel – Returns October 7 on FX

Oh boy, American Horror Story, where to begin? Season three (Coven) was a supreme mess with inflated dramatic stakes (If characters could be resurrected willy-nilly, what did it matter that characters died?), while season four (Freak Show) was a frightful bore that suffered from warmed-over and languid pacing.

Season five, Hotel, brings AHS into the dark hallways of the Hotel Cortez. The one shining beacon of this season is that the incredible Jessica Lange is sitting this out of this chapter. Lange has portrayed massive powerhouses, stealing every scene and chewing each piece of scenery, but over time, these power-hungry matriarchs drew from the same well one too many times. It will be interesting to watch a more ensemble-driven AHS, as anchored by Lady Gaga.

Billy on the Street – Returns October 8 on TruTV

Pop culture and yelling. #selfexplanitory
I wrote about Billy on the Street’s first season here.

Jane the Virgin – Returns October 12 on The CW

The first season of Jane the Virgin skillfully balanced the hilarious with the heartfelt, and the playfully surreal with the emotionally real. Even when the telenovela-inspired narrative engine seemed to barrel through storyline after plot twist after jaw dropping moment, Jane the Virgin never lost its way, thanks to its charming and radiant lead, Gina Rodriguez.

The world was also introduced to new comic icons in Jaime Camil’s self-absorbed Rogelio De La Vega and Anthony Mendez’ cheeky narrator. Season two promises to double down on the over-the-top telenovela world, announcing guest appearances by not only pop icon Britney Spears, but my beloved darling, Kesha (#FreedomForKesha). The Flash and Jane the Virgin both had stellar first seasons (which I wrote about) and I expect no less this year.

Plus, Jane the Virgin also featured my two favorite Emmy “For Your Consideration” campaigns for Gina Rodriguez and Jaime Camil. Jane the Virgin, you are both inspiring and freaking hilarious.

Fargo – Returns October 12 on FX

My favorite scripted series from 2014 returns. Fargo’s first season was a tightly plotted morality tale, bursting at the seams with memorably quirky characters and black-hearted humor. Fargo follows in the footsteps of its fellow FX series, American Horror Story, and resets its second season in 1979, with a new murderers row of actors taking on the series’ unique voice: Patrick Wilson. Kirsten Dunst. Jessie Plemons. Ted Danson. Jean Smart. Cristin Milioti. Nick Offerman. Kirsten Dunst’s awesomely feathered coif. Just watch the trailer below and tell me you are giddy either.

The 20 People I’m Voting In For Survivor: Second Chance

There’s no better time to be a Survivor fan! For the show’s upcoming 31st season, it’s up to America to vote for 20 returning players to return for their second shot at the game. The voting pool of is made up of 32 one-time players who have never won the game.

What’s most exciting is that each and every Survivor fan has different criteria for voting, and, as a result, a different list of people they want back on the show. Yes, there’s a gigantic recency bias (15 out of the 32 contestants are from the past 4 seasons), but I’m hoping that a nostalgia factor will give some of the old school players a boost.

Which voting bloc will win out: the millions of casual fans who’ll only vote once, or the thousands(?) of hardcore fans who will vote daily? Aside from a handful of shoo-ins (I’m looking at you, Joe Anglim), it’s honestly quite difficult to tell which combination of 20 will make the final cut.

Before I reveal my list, these are the 12 people who didn’t make my Survivor: Second Chance cut: Monica Padilla, Natalie Tenerelli, Mikayla Wingle, Troyzan Robertson, Sabrina Thompson, Brad Culpepper, Woo Hwang, Keith Nale, Joe Anglim, Mike Holloway, and Carolyn Rivera.

I initially had Worlds Apart‘s Mike Holloway in Andrew Savage’s place, as Mike has proven to be an explosive player firing on every cylinder imaginable, but I figure Mike will have more than a second chance to return to the game. Savage, not so much. Same goes for Mama C, as I put T-Bird in her place. Plus, it’s obvious either Mike or Mama C will win Worlds Apart, right?

The voting takes place daily at cbs.com/survivorsecondchance until Wednesday, May 20, 2015 at 9 pm EST.

WOMEN (in order of appearance)

Survivor_female_castaways

Kelly_WiglesworthKELLY WIGLESWORTH
Borneo, Season 1
Runner-Up

Look up “Second Chance” in the Survivor dictionary and there you’ll find Kelly’s headshot. This season’s theme was made for her. Kelly famously lost to Richard Hatch in front of over 50 million viewers by one vote. ONE VOTE. 30 seasons later, does she have what it takes to make it to the end again?

Kimmi_KappenbergKIMMI KAPPENBERG
The Australian Outback, Season 2
12th Place

I only caught a couple of episodes of the first season as it aired live on television, but I was completely hooked thanks to The Australian Outback. From triumphing in a gross food eating challenge (“I can eat a worm! I can eat a worm!”) to getting into an argument with a fellow hot head (Alicia Calaway: “I will always wave my finger in your face!”), Kimmi was a source of the second season’s memorable moments.

Teresa_CooperTERESA “T-BIRD” COOPER
Africa, Season 3
5th Place

I can’t say that I remember much of T-Bird’s game, or much of Africa (other than the drinking cow’s blood challenge and Silas “Colby 2.0” Gaither), so this is purely a vote for the nostalgia of old school players.

Peih-Gee_LawPEIH-GEE LAW
China, Season 15
5th Place

Peih-Gee was a fighter, pure and simple. As the last of her Zhan Hu tribe, she fought a scrappy uphill battle against a powerful, and ultimately, winning, alliance. Armed with a fierce personality, Peih-Gee wasn’t afraid to mix things up (see: throwing an immunity challenge to knock out a strong competitor) and confront others on their BS. Out of all the women on the list, she’s the one I’d like to see return the most. Peih-Gee will certainly make for entertaining TV.

Abi-Maria_GomesABI-MARIA GOMES
Philippines, Season 25
5th Place

Oh, Abi-Maria, you were blissfully unaware of own obnoxiousness and the viewers were all the more better for it. Has Abi-Maria learned from her previous game? Does it matter? Abi-Maria was as an entertaining a villainess as they come. Unlike past disasters like Hurricane NaOnka, who just brought a deluge of frustration onto viewers, Abi-Maria at least has spirit.

Ciera_EastinCIERA EASTIN
Blood vs. Water, Season 27
5th Place

Sure, Ciera didn’t come alive until the last third of the game, but when she did, she lit up the screen like no other. She voted her own mother out of the game, y’all. No one else in two seasons of Blood vs. Water can claim that. She forced a tie and drew rocks, and was only the second group in 30 seasons to do so. Just imagine what her gameplay could be like with her mom. It could be epic.

Tasha_FoxTASHA FOX
Cagayan, Season 28
6th Place

Tasha was a challenge beast and really came through when it mattered most, winning three individual immunities in a row. She’s a strong competitor, which is exactly what an All-Star season needs. Let’s hope she plays an even better social game and doesn’t get #StoodUp again.

Kass_McQuillenKASS McQUILLEN
Cagayan, Season 28
3rd Place

Kass is an intelligent player with a snarky sense of humor. She not only gave herself a nickname (#ChaosKass for life), but she lived up to her moniker. While Chaos Kass’ strategic moves may or may not have best the soundest, they sure were interesting and unpredictable moves and gave Survivor fans a lot to discuss and debated.

Kelley_WentworthKELLEY WENTWORTH
San Juan del Sur, Season 29
14th Place

I’m thrilled, and frankly really surprised, to see Kelley on this list. Thanks to the Blood vs. Water twist, her game was mostly straddled to cleaning up the messes made by her father, Dale. Add to that lameness, Resident (Basically a) Badass Drew got Kelley out of the game because she had seen every episode of Survivor, unlike most of the dolts her season. Let’s give her a chance to show off her skills in a better arena.

Shirin_OskooiSHIRIN OSKOOI
Worlds Apart, Season 30
8th Place

Shirin just needed to get her Survivor superfandom jitters out during her first season. With that over-the-top enthusiasm out of the way, she can work on her social game. During Worlds Apart, she was never in the driver’s seat of an alliance, so it’ll be fun to watch if she can pull off strategic maneuvers of her own.

MEN (in order of appearance)

Survivor_male_castaways

Jeff_VarnerJEFF VARNER
The Australian Outback, Season 2
10th Place

Jeff Varner was my favorite player on The Australian Outback. In the midst of all the surviving, it appeared that he was the only one out there playing the strategic game. And he was there to PLAY. Undid by a defunct rule and Kimmi’s big mouth (she told Tina that Jeff had votes cast for him previously), he was taken from us way too soon. Of all the old school players, Jeff seems to be the best equipped to navigate the extremely fast-paced game of today.

Andrew_SavageANDREW SAVAGE
Pearl Islands, Season 7
10th Place

Andrew Savage is another player who deserves a second chance, in the purest sense of the word. He was screwed out of the game by the infamous Outcasts twist, when Lil flipped upon returning to the game. Savage fit the mold of Jeff Probst’s dream alpha male, receiving the last name only treatment. I’m not certain if the nostalgia factor is as strong with him, but it’s surprising it’s taken so long to get him back.

Shane_PowersSHANE POWERS
Panama, Season 12
5th Place

Shane Powers is a larger-than-life character who needs to return. He was recklessly erratic, shockingly unpredictable, and wildly entertaining. I mean, he quit smoking cold turkey when he went on the show! He talked on a piece of wood that he called his BlackBerry (remember those?)! He asked Cirie nursing advice and showed her his junk! He fell apart at the sight of his son during the loved ones visit! We need more Shane on our televisions.

Terry_DeitzTERRY DIETZ
Panama, Season 12
3rd Place

Terry was an unstoppable Panamanian force, winning five consecutive immunity challenges. Terry will need to improve his social game the second time around, as he came off as smug father-type, and I’m willing to give him the opportunity to do so.

Stephen_FishbachSTEPHEN FISHBACH
Tocantins, Season 18
Runner-Up

I’m most excited to watch Stephen play again. He’s made a name for himself in the years following his stint on the show as a Survivor pundit, writing a blog for People.com since 2009 and as a Survivor Know-It-All, co-hosting a weekly podcast with former player Rob Cesternino for the past six seasons. As a Know-It-All, he’s claimed to be one of “the guys who know everything about Survivor except how to win the game.” I’ve also purchased and listened to Stephen and Rob’s 9+ hour audiobook, The 49 Laws of Survivor. I’m ready to see Stephen put his money where his mouth is. #BringFishBack

Jim_RiceJIM RICE
South Pacific, Season 23
12th Place

Jim Rice is a player. He’s outspoken, quick on his feet, and smart as a whip. And he was royally screwed when Cochran flinched on drawing rocks and bailed on his alliance. Jim can bring some grade-A strategy to Survivor once more.

Vytas_BaskauskasVYTAS BASKAUSKAS
Blood vs. Water, Season 27
10th Place

Blood vs. Water introduced us to the brother of Aras Baskauskas, winner of Panama. Vytas was the self-proclaimed “reformed bad boy” of Survivor and managed to charm his way out of being voted out when he was outnumbered by women after the tribe swap. Vytas has so much strategic and social potential going into the game and I look forward to him possibly playing outside of his younger brother’s golden boy shadow.

Spencer_BledsoeSPENCER BLEDSOE
Cagayan, Season 28
4th Place

Spencer, Spencer, Spencer. There is no way that this charming Charlie Brown underdog who won the hearts of millions during Brawn vs. Brains vs. Beauty won’t return for his second chance. Having always played with his back against the wall, it will be exciting to watch him play again, with the possibility of reversed fortunes and an upper hand.

Jeremy_CollinsJEREMY COLLINS
San Juan del Sur, Season 29
10th Place

One of the few bright spots in his season, known for his “surround and drown” strategy. Many Survivor fans, including myself, were envisioning an epic Josh vs. Jeremy showdown, and were floored when the two were cut down in 11th and 12th place, respectively. What will Jeremy’s game look like without his wife, Val, and with players with an actual keen sense of the game?

Max_DawsonMAX DAWSON
Worlds Apart, Season 30
14th Place

The Survivor professor needs redemption! After a fairly dismal social game cost him the game pre-jury, I’m willing to give him a second shot. I’m sure he’ll know exactly how to adjust his social strategy after having seen himself flame out on television.

The Two Mad Men Sites Every Fan Needs To Bookmark

Mad Men ends its groundbreaking seven season run tonight and I think it’s safe to say that no other television show on the air today has been written about more than Matt Weiner’s opus. The immeasurable amount of spilled digital ink includes insightful weekly reviews from my favorite television critics: HitFix’s Alan Sepinwall, Vox’s Todd VanDerWerff, Vulture’s Matt Zoller Seitz, Huffington Post’s Maureen Ryan, among others.

Mad Men is so richly devised in its characters, so deeply rooted in history, and so immaculately crafted in its attention to period detail, that it allows endless points of critical entry, from an earnest celebration of Betty Draper to a deep dive into its iconic soundtrack. In celebration of its series finale, I’d like to highlight the two Mad Men companion pieces that have brought me such joy and have enriched my viewing experience throughout the years.

MAD MEN SCREENSHOTS WITH THINGS DRAWN ON THEM

This perfectly-titled Tumblr is an ideal example of ‘what you see is what you get,’ and, in this case, what you get is pretty fan-f*cking-tastic. On the turn of a dime, Mad Men can go from existential despair to gust-busting comedy, and these lovingly crafted screenshots with added pointed commentary illustrate that successful juxtaposition. Hilarity ensues with every screenshot.

From updating soon-to-be iconic imagery to the present day…

Mad Men Screenshot Peggy

Source: madmenwiththingsdrawnonthem.tumblr.com/post/118142036097

to illuminating the show’s social commentary…

Mad Men Screenshot Joan

Source: madmenwiththingsdrawnonthem.tumblr.com/post/115900374309

to poking fun at beloved characters…

Mad Men Screenshot Pete

Source: madmenwiththingsdrawnonthem.tumblr.com/post/117325162698

to creating flat-out funny memes, Mad Men Screenshots with Things Drawn On Them hit a sweet spot we didn’t know existed.

Mad Men Screenshot Don

Source: madmenwiththingsdrawnonthem.tumblr.com/post/117249564836

TOM & LORENZO’S MAD STYLE

Mad Men‘s Emmy-nominated costume designer, Janie Bryant, is an impeccable storyteller, not only in the way she chooses period-appropriate clothing in the ever-changing 1960s, but in the way she tailors each outfit to the specific moods and storylines of each character. Tom & Lorenzo, two brilliant fashion and pop culture bloggers, have broken down each episode of Mad Men, analyzing each chapter through the fine lens of its costumes and production design. Every detail is illuminated, from how specific colors suit a theme or motif, to the historical context of a particular look, to tracing the arc of a character through clothing; and while it cannot be certain whether each moment is intentional, their analyses are no less fascinating.

I’ll let their deeply insightful writing speak for themselves. In the season seven episode, “Lost Horizon,” Joan Holloway finds herself in the midst of rampant sexual harassment at McCann. Here’s how Tom & Lorenzo break down one of her scenes:

And this may get us in trouble, but we have to point out how she shifted gears when it became obvious that she had a problem and needed to turn to the men above her for help:

Mad Style TLO

Source: tomandlorenzo.com/2015/05/mad-style-lost-horizon/

We haven’t seen her wear a dress that eye-popping or focus-pulling (not to mention tight) since that first humiliating meeting at McCann. Joan does not do these things accidentally (nor does Janie Bryant). As politically incorrect as it may be to point this out, when Joan came up against male chauvinism and needed to combat it, her first impulse was to put on a tight dress and ask some men for help. This is one of several reasons why we think Peggy will do better at McCann than Joan did. She has a better developed set of tools for dealing with things. Joan’s ways have always been the old ways and even now, with all the changes in her life, she reverts to them when she’s in trouble. After all, the most consistent repeating costume motif for Joan has always been roses on a black background. There was a time when it clearly evoked romantic and sexual disappointment in her life, but by now, it merely signals the shit she constantly has to put up with from men. She wore a very similar dress last season when it became clear just how much she hated Don at the time.And it makes us a little sad that this is probably the last one we’ll see. The last Joan Holloway Rose Dress of Disappointment.

Understand, we’re not accusing her of anything nefarious or even of consciously trying to play these men to get what she wants. She’s not trying to be sexy and she sure as hell isn’t inviting (or deserved) sexual harassment. It’s just innate with her. You present yourself a certain way when you want something from a man. “My mother raised me to be admired.” She needed help, so a pussy bow and an A-line skirt wasn’t going to cut it.

Tom & Lorenzo’s Mad Style is a richly unique and wholly fascinating look at Mad Men, illuminating how a character’s outer life reflects their inner life. I cannot recommend these amazing articles enough.

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One last thing I’d share: As I combed through my past Mad Men-related Facebook posts, I uncovered these limerick gems I’d written in 2010 because why not. Please enjoy!

There once was a woman named Joan,
Who’d worked her way up on her own.
Her husband’s abusive.
Her joy is elusive.
And lying she does not condone.

There once was the new guy named Stan,
Who thought he was nothing but man.
He’d tease and he’d flirt,
And he’d take off his shirt.
But Peggy did not like his plan.

There once was an ad man named Pete.
With others, he’d often compete.
He worked night and day,
To make accounts stay,
And never would admit defeat.

Who Will Win and Who Should Win American Idol 2015

This… is the end of American Idol. FOX announced Monday morning that next year’s 15th season of the Show that Simon Cowell Built will be its last. FOX chairman and CEO Dana Walden said that it was a “pretty emotional decision” to end the once mighty juggernaut and I can’t help but breathe a sigh of relief. This is the right decision at the right time.

At the ratings peak of its 5th season in 2006, the show drew an average of 31 million viewers, with the finale drawing in a whopping 36 million viewers (#CatchTheMcPheever). Cut to last week and season 14’s Top 4 episode drew in a measly 7.3 million viewers. Once able to defeat all shows in its path, Idol now is consistently beaten by the 30th season of Survivor. The Death Star has finally exploded.

While the cultural watercooler has moved on way past the days of #TeamClay vs. #TeamRuben, or even #TeamAdam vs. #TeamKris, we still have this year’s Idol finale to get through. Join my trusty Idol partner-in-crime, Jonathan Yu, and I as we break down the season 14 Top 3 contestants of Clark Beckham, Jax, and Nick Fradiani.

Idol_Season 14_Top 3

CLARK BECKHAM

Jonathan Amores: Clark Beckham will win American Idol this year. The resident blue-eyed soul singer certainly fits in the inoffensive White Guy with Guitar-type that Idol’s audiences have come to know and love and vote for to win. He also has the musical chops to claim that he’s earned the win. During Top 7 week, judge Harry Connick, Jr. called Clark “the only musician left in the competition,” much to the chagrin of Clark’s fellow musicians.

However, I can’t seem to get fired up about him at all. During the semi-finals, Clark appeared to have so much potential with crackling performances like “It’s a Man’s Man’s Man’s World,” but his soulful promise has largely gone unfulfilled. He’s undeniably talented, but he’s shown that he’s not going to push himself enough to be provocative. Clark has stuck firmly to his artistic guns, for better or for worse.

Idol_Season 14_Clark

Jonathan Yu: Sorry to say, but I think it’s for the worse, and came out of nowhere. Up until that point, he’s picked songs that would position him as a soulful John Mayer à la “Gravity,” but *TWIST* the John Mayer that he really wants to be is the afternoon bedroom jams version à la “Your Body Is a Wonderland.” Which, while not the worst thing in the world, is a bit of a bait-and-switch. It’s unfortunate that the most passion we’ve seen from Clark all season is when he vehemently defended his choice of song and arrangement for “Your Man.”

JA: The trouble with Clark is that while he’s a killer singer to listen to, he’s a flat-out bore to watch. What’s most frustrating is that his blue-eyed soul never reaches his eyes at all. We hear the passion in his voice, but all we see is a vacant stare. Clark has failed to grow as a performer, especially in these past few weeks when peaking at the right time is crucial. I’d be more supportive of his impending victory if he were able to find deeper emotional connections with his songs.

JY: Yeah… his lack of visual emotions is certainly disheartening, and his lack of growth makes for a boring contender. That said, I still think Clark should win, simply because of his magnificent voice. Sure, Clark has been stagnant pretty much from the beginning, but for me, where he started from still trumps where some competitors have grown to. You can’t teach a soulful growl like his.

The Clark performance you need to watch: Ed Sheeran’s “Make It Rain”

JAX

JA: Of the Top 3 contestants, Jax is the most willing to push the musical envelope and expand her artistic palette. She’s full of surprises while Clark and Nick deliver more of the same. Outside of Quentin Alexander and Joey Cook, Jax is the only contestant who turned songs inside out and spun songs on their head.

From rocking out with the Idol band to playing heartfelt ballads on the piano, the longer the season dragged on, the more her spirited performances stood out. She’s the only left with the energy, or, to put it bluntly, the f*cks, left to give. Jax and her fiery fearlessness is my close second for who should win this season.

JY: Yeah, I think you’re right in that she mostly falls into three modes: Rocker \m/, Piano Ballads, and Jaxperimentation. While I appreciate Jax’s willingness to experiment and switch up the arrangements, I would say it only works out for her half of the time. For every “Bang Bang,” there is a “Poker Face.”

Jax’s rocker side is convincing, even if sometimes the song can overwhelm her (see: “Are You Gonna Be My Girl” (GUY?!?!?!)). When it comes to piano ballads, however, she truly shines. “White Flag” is one of my favorite performance of the season. When she tones down her vocal affectations and displays vulnerability with her voice, she is magical.

Idol_Season 14_Jax

JA: “White Flag” is one of my favorites as well, and I agree that overall, Jax is hit or miss. Vocally, the affected slinkiness in her voice just doesn’t sit well with me either. At times, she comes off as trying a little too hard. Perhaps it’s her age, but she can come off like she’s playing dress up, especially when she has her rocker pants on.

But let’s be honest, I really just wanted Jena Irene to win American Idol last year and Jax is the next best thing. It’s easy to compare the two young sensitive rockers (heck, they’ve both covered Paramore and Evanescence), but Jax simply pales in comparison. Jena was able to tap into a deeper, more powerful well of emotion than Jax has this season (see: Jena’s masterful “Can’t Help Falling In Love”), but at least Jax attempts such depths at all, unlike her male competition. Here’s hoping Jax can make it to second place, as Jena did the year before.

The Jax performance you need to watch: Dido’s “White Flag”

NICK FRADIANI

JY: Nick “Daughtry With Hair” Fradiani. Where do I even begin? I ask not because I have a lot of say about him, but because I have none. His particular brand of adult contemporary is just not very exciting to me. While Daughtry was groundbreaking in the context of the show, as rock was never a fully represented genre on Idol before season 5, by season 14, it just feels stale.

Idol_Season 14_Nick

JA: Agreed. Yes, Nick knows who he is as an artist; yes, he’s grown in his stage presence and performance level; yes, he’s peaking at the right moment. But at the end of the day, all of his performances blend together into a guitar-laden blur that will never appeal to me either.

What frightens me (what hurts the most?) is that Nick Fradiani could win the sash and crown without taking a single freaking risk. Nick has stayed squarely in his AC lane with classic rock hits from The Boss and Tom Petty, but while he’s adept in the driver’s seat, there’s never any danger of speeding or taking unexpected turns. Where’s the thrill in that?

The Nick performance you need to watch: Rascal Flatts’ “What Hurts the Most”

WHO REALLY SHOULD HAVE WON THIS SEASON

JY: Sarina-Joi Crowe had it all: The inspiring backstory (if at first you don’t succeed, try, try, try and try again) matched only by her voice. Her sound harkened back to the olden days of Idol where big-voiced singers ruled, except she came in a contemporary package that could be heard on the radio today.

Sarina-Joi’s choice of this incredibly difficult Jessie J song is perfect for the semi-finals. It showcased all the power in her voice while simultaneously remaining controlled. And let’s be real, any performance that ends with (*spoiler alert*) a high kick is a performance I can get behind.

The Sarina-Joi performance you need to watch: Jessie J’s “Mama Knows Best”

Your Handy Guide to American Idol 14’s Top 11 Finalists

As a new Empire rises, another Idol continues its slow descent. This is season fourteen of American Idol. Fox was smart to schedule to launch the fledgling primetime soap behind its veteran reality competition, giving the buzzy newcomer a strong marketing push right out of the gate. Empire‘s audience went up every week it aired, with March 18 finale reaching a height of 17.6 million viewers (6.9 A18-49), becoming the top-rated new series in a decade. In comparison, Idol‘s most recent airing on March 19 brought in 8.51 million viewers (1.8 A18-49).

With Empire finished for the spring, the show must go on. American Idol expands into two hours, featuring a new crop of fresh-faced contestants singing for your votes. Ever the dutiful Idol fan, here is my ranking of this season’s Top 11 finalists, from my most favorite to least favorite (and one of the worst Idol finalists in history). Click on the singer’s name to watch their best performance thus far.

Idol_Sarina-JoiSarina-Joi Crowe: Before we get to the real Top 11, I’d like to take a moment to pour one out for arguably the most talented singer this year, Sarina-Joi Crowe, who was eliminated after an uncomfortably sharp rendition of One Republic’s “Love Runs Out.” Damn you, Ryan Tedder! Why is this elimination so heartbreaking? Sarina-Joi possessed more potential than most of the remaining finalists will ever realize on this show. Poor Sarina-Joi finally made it as a finalist after auditioning for four years, only to be taken from us way too soon.

Idol_TyannaTyanna JonesI hate it when the judges incessantly and incredulously parade around the ages of young contestants during critiques (“Dude, you’re only 16 years old!”). But with Tyanna, DUDE, she’s only 16 years old! Tyanna owns the stage like a consummate professional. While she’s unfortunately not invincible, she’s able to swim through her performances effortlessly. Her performance of Janelle Monae’s “Tightrope,” for example, was a breezy joyfest. Tyanna exudes a cool and commanding confidence while dripping with a bold panache. And don’t forget: she’s only 16 years old!

Idol_ClarkClark BeckhamClark is the very definition of blue-eyed soul, as filtered through the Idol lens. He’s a talented and handsome,22-year-old street performer whose musicality shines through with both the piano and the guitar. I’ve taken issue with many of Idol‘s WGWG (White Guys with Guitars) in the past (see winners Lee DeWyze, Phillip Phillips, and Scotty McCreery), but Clark’s undeniable respect for the music he’s playing sets him apart. While, at times, his performances may have erred on the side of being too slick, Clark continued to show great promise with his recent acoustic arrangement of Maroon 5’s “Sunday Morning.”

[To be quite honest, the order of the next five contestants, from Joey down to Quentin, is pretty interchangeable. Heck, I’ve changed it three times over the course of writing this list. It just goes to show you that with a talent field this deep and this even, song choice is crucial. The wrong song could make or break you. RIP SJC.]

Idol_JoeyJoey Cook: Here’s Miss Quirk with a capital Q. During the semi-finals rounds, I wasn’t buying what Joey was so peculiarly selling and I rolled my eyes at every one of her quirks: the hair touching, the wide side-eyed wonderment, the irksome garbled vowel pronunciation. Everything changed with her performance of Iggy Azalea’s “Fancy.” Armed with a Postmodern Jukebox arrangement, all of her stylistic choices felt organic and her stage presence became fully realized. It all just clicked. The more Joey takes risks and taps into the grounded, emotional core of a song, the better.

Idol_QaasimQaasim Middleton: Qaasim is a vibrant showman. Don’t believe him? Just watch. Qaasim is a strong singer. Don’t believe him? Well…actually, it’s ok to doubt him on that one. He’s a firecracker of an entertainer and his passionate command of the stage generates enough electricity to light the entire Idoldome. Unfortunately, stripped of his theatrics, Qaasim’s vocals don’t quite measure up. I call it the Adedapo Effect. Remember season 10’s Naima Adedapo? Her reggae-inspired numbers included dance breakdowns, rapping, and (on the live tour) even cartwheels. However, once she put her vocals front-and-center, she was swiftly voted out. We’ll see how long Qaasim can hang in there by the skin of his dancing. I am going to enjoy watching him breathe life into each performance along the way.

Idol_JaxJaxJax has long been considered a front-runner, but I’m just not fully in her corner yet. While some may hear a distinctly rich timbre, I hear a greatly affected slinkiness and whereas some may see a confident performer with a flair for the dramatic, I see a young musician trying hard to make an impression. But hey, I did a full 180-degrees on season 10’s Haley Reinhart, so stranger things could happen with my opinion on Jax.

Idol_AdannaAdanna Duru: Without a doubt, Adanna has a powerful voice, throwing her heart and soul into every performance. Her leave-it-all-on-the-stage attitude is refreshing, but she needs to keep her emotions in check. When her wild stage presence gets the best of her, Adanna’s pop/R&B vocals are tricky to maneuver, but when she taps into that fire, her talent radiates with heat.

Idol_QuentinQuentin AlexanderOne word comes to mind when thinking about Quentin: #haunting. Here’s another: #moody. Quentin is a powerful and riveting presence with a keen sense of who he is as an artist. Not to mention, his carefully curated New Orleans-inspired fashion sense always makes a statement. Quentin’s velvety vocals compliment his suave persona, but he also possesses an unfortunate tendency to waver on long notes.

Idol_RayvonRayvon Owen: Rayvon is a smooth, smiley, and sleepy (read: boring) singer. Graced with a buttery falsetto, Rayvon knows exactly where and when to deploy it to its greatest effect, but onstage he simply meanders. Rayvon is blessed with one of the best voices left in the competition, but his performances desperately need substance, depth, and, most importantly, a jolt of urgency. Vocal dexterity alone won’t propel him past his competitors for very long.

Idol_NickNick Fradiani: Old Man Fradiani is an ancient 29 years old and in his most recent performance of Kenny Loggins’ “Danger Zone” (song choice, people, song choice) revealed that he gives off major Chris Daughtry vibes. Luckily for him, his age works to his advantage. Nick’s Alice Radio adult contemporary performances are greatly polished, allowing his maturity to shine through.

Idol_MaddieMaddie WalkerMaddie is a Country Pageant Princess, whose big, bright eyes can’t help but illuminate the fact that there’s nothing really behind them. She can hit the notes and voice possesses a sweet twang, but she hasn’t quite formed her artistic identity past that country inflection. She’s young, impressionable, and is nothing more than an imitation of the genre she adores.

Idol_DanielDaniel Seavey: Let me tell you a story. The summer after I finished first grade, my family and I went on a Caribbean cruise. I entered a talent competition and sang “Puff the Magic Dragon” a cappella. Halfway through the performance, I blanked on the lyrics and the emcee got the entire audience to sing along with me to close out the number. Cute, right? I won first place. (As did everyone else in the talent show, but that’s beside the point.) This, my friends, is Daniel Seavey.

He’s a 15-year-old kid who is in way over his head. Daniel has coasted along on his cuteness factor, which he, himself, admitted to having. Ick. His performances are simply excruciating. Daniel’s a one-trick foal still going through puberty. Watch as he attempts and fails to hit high notes! Marvel at his over-rehearsed movements as he “feels” the music! Witness him mumble through forgotten lyrics! Daniel should have waited five years to audition for Idol. There’s talent down there somewhere, but thanks to his string of consistently painful performances, Daniel Seavey is one of the worst American Idol finalists in history. This kid does not deserve to be on my television.

Man, what a downer. Let’s end on a positive note, Sarina-Joi Crowe SLAYING Jessie J’s “Mamma Knows Best”: