Emmys 2016 Review: A Night of Surprises

Televised award shows can often be painful to sit through, but thankfully, there were enough surprises in the 2016 Emmy Awards to balance out the inevitable second consecutive wins for Veep and Game of Thrones. The potent combination of deserving first-time winners, moving speeches, and diverse voices at the podium made the night feel spontaneous and exciting. At its best, these Emmys, indeed, felt like a true celebration of what television has to offer, and many of the outcomes delighted me.

Master of None’s “Parents” was awarded the Emmy for Writing for a Comedy, an episode that focuses on two first-generation Americans asking their parents to tell the stories about their lives before coming to America. As a child of immigrant parents myself, this story hit straight to the heart. The episode brought me to tears and immediately after, I called my mother. *cue awwww* Awards aren’t the be-all and end-all, but it does feels good to know that this award reinforces the notion that these are stories worth telling. Even better was writer Alan Yang’s acceptance speech, which emphasized the need for more Asian-American stories:

There’s 17 million Asian-Americans in this country, and there’s 17 million Italian Americans. They have The Godfather, Goodfellas, Rocky, The Sopranos. We got Long Duk Dong, so we’ve got a long way to go. But I know we can get there. I believe in us. It’s just going to take a lot of hard work. Asian parents out there, if you could just do me a favor, just a couple of you get your kids cameras instead of violins, we’ll be all good.

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Kate McKinnon’s win for Supporting Actress in a Comedy for her work on Saturday Night Live was also a delight. She had a banner year, thanks to Hillary Clinton, and sketches like The One Where She Was Abducted By Aliens And Ryan Gosling Couldn’t Keep It Together. McKinnon’s humble shout-outs from Hillary Clinton and Ellen Degeneres, to her writing partners, the now co-head writers Sarah Schneider and Chris Kelly (watch his new film Other People!), to her late father who pushed her to watch SNL as a child, were particularly moving.

Director Jill Soloway, who won for Transparent, gave a particularly rousing acceptance speech, with a passionate plea to “topple the patriarchy.” Soloway centered the storytelling of queer and trans women in her acceptance speech:

When you take women, people of color, trans people, queer people, and you put them at the center of the story, the subjects instead of the objects, you change the world, we found out. This TV show allows me to take my dreams about unlikeable Jewish people, queer folk, trans folk, and make them the heroes.

Transparent’s Jeffrey Tambor’s won Actor in a Comedy for his thoughtful portrayal of Maura Pfefferman, and his speech concluded with a heartfelt plea of his own: a call for greater hiring of transgender talent. Witnessing diversity in storytelling from a pioneering show like Transparent be richly rewarded was a step in the right direction.

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American Crime was one of my favorite television shows of the year. The anthology drama couples superb acting with powerful and provocative discussions about race, class, and sexuality. It was gratifying to see Regina King be recognized two years in a row for her magnetic work as a mother of a high school basketball player team accused of assault.

Although I was rooting for the cool threat that was Bookeem Woodbine’s Mike Milligan from Fargo, I was happy that the award went to Sterling K. Brown’s understated performance as Christopher Darden in The People vs. O.J. Simpson: American Crime Story. The thrilling wins for Courtney B. Vance and Sarah Paulson, who played Johnny Cochran and Marcia Clark, respectively, proved the stellar casting for Ryan Murphy’s series. These three captivating actors took on historical figures familiar to the American public, and breathed new life into their narratives, making their portrayals deeply sympathetic and human. Paulson was one of the locks of the evening, and her win was long overdue.

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On the flip side, yes, The People vs O.J. Simpson was excellent television, but I’m disappointed that Fargo’s remarkable second season was shut out in the process, coming up empty-handed in every category it was nominated in. Was this season too left-field for voters? Too bleak or violent? Too wrapped up in Midwestern quirk, and mysticism? Sigh.

Grease Live was a fine technical feat, with swift and precise direction by Alex Rudzinski and Hamilton‘s Thomas Kail. The live broadcast navigated multiple indoor and outdoor sets, live crowds, inclement weather, and more, but the conceit has been done before, even if it was the best of this new generation of live musicals. Beyoncé’s Lemonade was an artistic achievement like no other. Queen B should have won Directing for a Variety Special and taken one more step closer to EGOT status.

Rami Malek’s performance as Elliot Anderson was a singular triumph on Mr. Robot. Malek tackled such an intense character plagued with drug addiction, social anxiety, and mental illness, but always found ways to humanize him. We don’t often see characters on television like Elliot, much less see their performances rewarded, so this win for Lead Actor in a Drama felt important. Plus, bae looked good in a white Dior suit.

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Host Jimmy Kimmel joked in his opening monologue that “the only thing we value more than diversity is congratulating ourselves on how much we value diversity.” As the night went on, the more this notion seemed true. However cynical Kimmel’s quip was, it was refreshing to see the stage visited by African-Americans, Asian-Americans, queer women, an Egyptian-American, and sure, a couple of white men here and there too.

At last weekend’s Creative Arts Emmys, Crazy Ex-Girlfriend‘s took home two trophies for Single-Camera Picture Editing for a Comedy and Choreography. How it lost Main Title Theme Music to Jessica Jones (?!?!?!) is beyond me. One is a sunny, catchy earworm that jabs at sexism, while the other is a bland jazz number. The winner is completely obvious to me, but I guess the situation’s a lot more nuanced than that. Regardless, just let the words “Emmy Award-Winning Crazy Ex-Girlfriend” sink in. We’re so #blessed!

The best show on television, The Americans, was woefully ignored, after being finally being invited to the party in its fourth season. When Character Actress Margo Martindale’s won for Guest Actress at the Creative Arts Emmys, for a role with seemingly less than ten minutes of screen time, I was hoping that the award boded well for the show’s Emmy chances come Sunday night. Alas, the night was not for The Americans. Keri Russell and Matthew Rhys, your time has yet to come. Next year, Game of Thrones will air outside of eligibility for the 2017 Emmys, leaving a dragon-sized void in the race. With the HBO juggernaut out of the mix next year, could The Americans finally emerge victorious?

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[gifs courtesy of giphy.com and outofficial.tumblr.com]

What I’m Watching: Fall 2015

The fall 2015 television season is here, right as we enter the age of “Peak TV,” with seemingly too many television series out there to consume.

At the summer Television Critics Association press tour last month, John Landgraf, the president of FX Networks, stated that “there is simply too much television” in our current landscape. According to Vox, “In 2009, there were 211 primetime scripted series on television. That number steadily climbed until in 2014 there were 371, an increase of 160 shows. FX expects the number to top 400 in 2015.” That number doesn’t even included reality television, talk shows, game shows, etc. It’s downright impossible for a person to sample every show that’s out there and once you’ve dropped a show, it becomes even harder to pick it back up.

In the opening number of the 67th Emmy Awards, host Andy Samberg tackles the issue of “Peak TV” head-on by locking himself in a TV Viewing Bunker for a year to catch up on every show:

So where does that leave me? I’ve made peace with the fact that I’ll probably never watch the most critically acclaimed new series from this past summer, UnREAL and Mr. Robot, or the 2015 Emmy winners for Outstanding Comedy, Veep, and Drama, Game of Thrones (but let’s be real, Mad Men should have taken the trophy for its final season, or better yet, the real best drama series, The Americans, should have been nominated in the first place). I’ll take solace in the fact that I’m enjoying what I choose to watch. I don’t believe in guilty pleasures. If a TV show gives you pleasure, more power to you!

Special shout-outs to the shows I watched in the past two months: CatastropheBoJack Horseman season two, Wet Hot American Summer: First Day of Camp, Transparent, and Orange is the New Black season three. I highly recommend all of these excellent shows, especially BoJack Horseman, an uproarious, yet painfully bleak and honest, examination of depression, as filtered through the lens of an animated anthropomorphic horse. Will you get to watching these shows? “They’re on my list,” I’m sure you’ll say. #PeakTV

What I’m Watching:

Scream Queens – Premieres September 22 on FOX

Welcome to Ryan Murphy’s twisted take on campus slasher films! I’m cautiously optimistic about this show, with an emphasis on the cautiously. Ryan Murphy productions start with a bang (see: the first two seasons of Glee and American Horror Story. Ok, fine, maybe just season of Glee.) and they unfortunately get caught up in their own frenetic messes, ending with a whimper (see: the other seasons of Glee and American Horror Story).

Fortunately for viewers, Scream Queens doesn’t seem to have any higher aspirations than being a gleeful, campy, bloody bubblegum confection that offs a character each week to comically gruesome effect. Plus, I can’t help but root for a cast that includes Nasim Pedrad, Jamie Lee Curtis, Ariana Grande, and Nick Jonas. I mean, come on. There’s a fine line between bitchy, catty entertainment and outright meanness. Tread carefully, Ryan Murphy. Here’s hoping it’ll be fun to watch this sorority-set series inevitably fly off the rails!

Fresh Off the Boat – Returns September 22 on ABC

As the first network TV show to feature an Asian-American family in 20 years, expectations for Fresh Off the Boat were dangerously high. To make matters worse, in the weeks leading up to the premiere, Eddie Huang, who wrote the memoir on which the show is based, trash-talked his own team members for diluting his personal experiences. Thankfully, when the first episode debuted, you could feel the collective exhale of Asian America. It was a sigh of relief that this family sitcom was extremely funny, witty, and heartwarming to boot. There were no reasons for audiences to hang their heads in shame. Fresh Off the Boat made specific cultural experiences universal and reset the television defaults of what it means to be a sitcom family.

Constance Wu, who plays the matriarch Jessica Huang, addresses the issues of representation in an insightful Buzzfeed interview:

The Asian-American experience [is something] a lot of us as Asian-Americans really haven’t explored, because they lump us all into one… It’s terrifying to say, ‘This is a thing that is complex and worthy of our time,’ but it is complex, and that’s why you’re not going to always find an easy, palatable answer. I think [the show is] trying to approach that complexity in a very traditionally simplistic form. And I think if we can do that, it’s almost its own type of activism.

I’ve jokingly shared on social media that I love that I can see myself on television, as the youngest brother, Evan Huang. The sentiment is silly, but completely true. This quirky, sweet-natured, delicate boy is definitely me and it’s a feeling that I’ve cherished. It’s progress.

Survivor – Returns September 23 on CBS

I’ve never been more excited about a season of Survivor in 31 seasons than I am about Survivor: Cambodia – Second Chance. And neither have any other of Survivor’s ten million viewers. Twenty returning players were voted in by America to compete for a second chance to win the million dollars and the title of Sole Survivor. After All-Stars and Heroes vs. VillainsCambodia is only the third season to feature all veteran players. This past summer, I re-watched Heroes vs. Villains, arguably Survivor‘s best, for the third time and this new season has all the potential to match HvV’s soaring highs.

Some of these players, like Borneo’s OG Kelly Wigglesworth and Australian Outback’s Jeff Varner and Kimmi Kappenberg, have waited over a decade for the opportunity to play again. Every single one of these contestants is here to WIN, ready to overcome their earlier flaws, course-correct for past mistakes, over-compensate for character flaws, underestimate and overpower the competition, and outwit, outplay, and outlast to the Final Tribal Council. The hunger is real.

Each contestant has a strong storyline going into the competition: Can Stephen Fishbach shed his overwhelmingly large target of being a Survivor Know-It-All podcast host? Will Ciera Eastin be able to convince her tribemates she’s a trustworthy player after she voted out her own mother in her previous season? Will Abi-Maria Gomes be able to cool her hot temper and play nice with others? Will Spencer “Charlie Brown” Bledsoe finally be able to kick that football set up by Chaos Kass? The list goes on… What makes this season so exciting is that each person comes in with so much baggage and so much to prove. You can read some of my thoughts on the cast here.

Peih-Gee Law

Peih-Gee Law (source: EW.com)

Who am I rooting for? In addition to the aforementioned Jeff Varner (love his cheeky energy) and Stephen Fishbach (love his quick wit), I’m pulling for for my friend, Survivor China’s Peih-Gee Law, who famously was good at Sudoku and claiming victory of the last of her tribe, ultimately achieving 5th place. Will she be able to keep her emotions in check and not make waves in the early goings of the game? If so, Peih-Gee will at least make it to the merge. In pre-game interviews, Peih-Gee talked about a smart strategy she picked up from fellow China player, Amanda Kimmel:

You have to find someone really strong […] like a Woo…who will be able to win challenges, but he’ll be kind of a target after the merge, which is fine because then I won’t be a target. Then you want somebody weaker, like maybe like Kass. They’re good to have by your side because if they want to get rid of someone who’s not good at challenges, then you’re protected. And then, these people, the weaker ones and the stronger ones, they’re the targets.

Who am I picking to win? Looking at the winners of the two previous all-star seasons, Amber Brkich and Sandra Diaz-Twine, both women entered the game as unassuming characters. They laid low and watched as the bigger targets take each other out each week. I see the same characteristics in San Juan Del Sur’s Kelley Wentworth. Although we never fully saw her game in her first season (which means neither did her competitors), she seemed smart and level-headed enough to be a savvy player. Kelley enters Cambodia without a huge target on her back, but possesses great potential. If she aligns with the right players, she could fly under the radar, make smart moves to get her to the end, and emerge victorious.

How to Get Away With Murder – Returns September 24 on ABC

To be honest, I was a bit on the fence about returning to this Shondaland series. Only Viola Davis’ magnetic and emotionally fraught tornado and Jack Falahee’s voracious sexual appetite and surprising vulnerability proved to be compelling characters. The rest of How to Get Away With Murder’s ensemble was merely beautiful set dressing. I also couldn’t stand Wes and Rebecca at all, separate or together.

Ultimately, Viola Davis is worth the price of re-admission. Her extraordinary history-making Emmy acceptance speech brought me to tears. As the first African-American woman to ever win Lead Actress in a Drama Series, her words were a powerful and inspiring indictment of the decision makers of Hollywood, highlighting how few opportunities women of color have had the chance to even compete for the title.

‘In my mind, I see a line. And over that line, I see green fields and lovely flowers and beautiful white women with their arms stretched out to me, over that line. But I can’t seem to get there no how. I can’t seem to get over that line.’

That was Harriet Tubman in the 1800s. And let me tell you something: The only thing that separates women of color from anyone else is opportunity. You cannot win an Emmy for roles that are simply not there.

I will keep watching to support your trailblazing work, Viola Davis. Here’s to you!

The Flash – Returns October 6 on The CW

Simply put, The Flash is fun, fun, fun. The mere thought of more adventures in Central City fills me with joy. The Flash is a winning combination of celebrating the heroics of superheroes and meaningful, emotional character relationships. Of all the shows I watched last year, I’m certain I cried the most and hardest at The Flash season one finale. Damn you, Grant Gustin, and your beautifully emotive, tear-streaked face! This upcoming year spirals further down the comic book spiral, introducing a parallel universe and the original The Flash, Jay Garrick. I’m not a superhero superfan by any means, but I’m in for whatever thrilling twists are coming our way.

American Horror Story: Hotel – Returns October 7 on FX

Oh boy, American Horror Story, where to begin? Season three (Coven) was a supreme mess with inflated dramatic stakes (If characters could be resurrected willy-nilly, what did it matter that characters died?), while season four (Freak Show) was a frightful bore that suffered from warmed-over and languid pacing.

Season five, Hotel, brings AHS into the dark hallways of the Hotel Cortez. The one shining beacon of this season is that the incredible Jessica Lange is sitting this out of this chapter. Lange has portrayed massive powerhouses, stealing every scene and chewing each piece of scenery, but over time, these power-hungry matriarchs drew from the same well one too many times. It will be interesting to watch a more ensemble-driven AHS, as anchored by Lady Gaga.

Billy on the Street – Returns October 8 on TruTV

Pop culture and yelling. #selfexplanitory
I wrote about Billy on the Street’s first season here.

Jane the Virgin – Returns October 12 on The CW

The first season of Jane the Virgin skillfully balanced the hilarious with the heartfelt, and the playfully surreal with the emotionally real. Even when the telenovela-inspired narrative engine seemed to barrel through storyline after plot twist after jaw dropping moment, Jane the Virgin never lost its way, thanks to its charming and radiant lead, Gina Rodriguez.

The world was also introduced to new comic icons in Jaime Camil’s self-absorbed Rogelio De La Vega and Anthony Mendez’ cheeky narrator. Season two promises to double down on the over-the-top telenovela world, announcing guest appearances by not only pop icon Britney Spears, but my beloved darling, Kesha (#FreedomForKesha). The Flash and Jane the Virgin both had stellar first seasons (which I wrote about) and I expect no less this year.

Plus, Jane the Virgin also featured my two favorite Emmy “For Your Consideration” campaigns for Gina Rodriguez and Jaime Camil. Jane the Virgin, you are both inspiring and freaking hilarious.

Fargo – Returns October 12 on FX

My favorite scripted series from 2014 returns. Fargo’s first season was a tightly plotted morality tale, bursting at the seams with memorably quirky characters and black-hearted humor. Fargo follows in the footsteps of its fellow FX series, American Horror Story, and resets its second season in 1979, with a new murderers row of actors taking on the series’ unique voice: Patrick Wilson. Kirsten Dunst. Jessie Plemons. Ted Danson. Jean Smart. Cristin Milioti. Nick Offerman. Kirsten Dunst’s awesomely feathered coif. Just watch the trailer below and tell me you are giddy either.

Emmys 2014: Déjà vu all over again

The 66th Primetime Emmy Awards hosted by Seth Meyers took place this past Monday night, but you wouldn’t be blamed for having a strange feeling that the only difference from past ceremonies was not airing on its usual Sunday.

Source: giphy.com

Can’t shake off that feeling of déjà vu? Don’t worry, it’s not you; it’s just the Emmys. Here are the staggering stats for this year’s acting winners:

  • Ty Burrell – Supporting Actor in a Comedy, Modern Family
    • 2nd win, 5th consecutive nomination
  • Allison Janney – Supporting Actress in a Comedy, Mom
    • 6th win, 2 wins this year, 8th nomination
  • Jim Parsons – Lead Actor in a Comedy, Big Bang Theory
    • 4th win, 7th nomination (2 noms this year)
  • Julia Louis-Dreyfus – Lead Actress in a Comedy, Veep
    • 3rd consecutive win, 5th career Emmy, 18th nomination
  • Kathy Bates – Supporting Actress in Miniseries/Movie, American Horror Story: Coven
    • 2nd win, 11th nomination
  • Martin Freeman – Supporting Actor in Miniseries/Movie, Sherlock: His Last Vow
    • 1st win, 3rd nomination (2 noms this year)
  • Jessica Lange – Lead Actress in Miniseries/Movie, American Horror Story: Coven
    • 3rd win, 6th nomination
  • Benedict Cumberbatch – Lead Actor in Miniseries/Movie, Sherlock: His Last Vow
    • 1st win, 3rd nomination
  • Aaron Paul – Supporting Actor in a Drama, Breaking Bad
    • 3rd win, 5th nomination
  • Anna Gunn – Supporting Actress in a Drama, Breaking Bad
    • 2nd consecutive win, 3rd nomination
  • Julianna Margulies – Lead Actress in a Drama, The Good Wife
    • 3rd win, 10th nomination
  • Bryan Cranston – Lead Actor in a Drama, Breaking Bad
    • 5th win, 12th nomination
Emmys_2014_Bryan_Cranston

Source: giphy.com

Did you catch that? In series acting, every single winner had won an Emmy before. There were only two first-time Emmy winners in Benedict Cumberbatch and Martin Freeman.

Now let’s look at the series winners:

  • The Amazing Race – Outstanding Reality-Competition Series
    • 10th win, 11th nomination [UGHHHHHHHHHH]
  • Fargo – Outstanding Miniseries
    • 1st win, 1st nomination [YAY!]
  • The Colbert Report – Outstanding Variety Series
    • 2nd consecutive and last win, 9th nomination
  • Modern Family – Outstanding Comedy Series
    • 5th consecutive win, 5th nomination [UGHHHHHHHHHH]
  • Breaking Bad – Outstanding Drama Series
    • 2nd consecutive win, 5th nomination [YAY!]

This is not to put down any of the impressive talents of this year’s winners, as there are certainly well-deserved winners in this bunch (well, not you, The Amazing Race). The Emmy voters are broken, sticking with familiar nominees in a brazenly predictable fashion. This voting pattern becomes increasingly frustrating year after year, especially when there are dynamic fresh faces nominated or overlooked perennial nominees. But why do we collectively groan at Jim Parson’s or Ty Burrell and Modern Family‘s wins, but cheer wildly for the wins of Aaron Paul, Anna Gunn, Bryan Cranston, and Breaking Bad? There’s a perceived difference here between voting complacency and voting for excellence.

In its first season, Modern Family was an excellent series, but five years later, it is simply an OK one. Its wins are simply passé and uninspired, surpassed by Veep‘s sharpness and Orange is the New Black‘s audacity. There are clearly more vibrantand funnyseries elsewhere. Breaking Bad, however, is in the pantheon of all-time greatest television shows. As the show progressed, it just kept getting better. Last season’s gut-wrenching “Ozymandias” was one of Breaking Bad‘s, if not television’s, finest hours. It rightfully won Moira Walley-Beckett an Emmy for Outstanding Writing for a Drama Series and was the submission episode for both Anna Gunn and Bryan Cranston. No one will argue that the Breaking Bad actors were undeserving of an Emmy trophy.

Source: giphy.com

Other Emmys thoughts:

  • Allison Tolman was ROBBED! Seriously and utterly robbed. Tolman was the beating heart within the dark, twisted soul of FX’s Fargo. While not as showy as her fellow scenery-chewing nominees or even Fargo costars, her steadfast and star-making turn as the cool and collected Molly Solverson was such a joy to watch. Damn you, Kathy Bates’ racist severed head!
  • Thank GOD Fargo won Outstanding Miniseries. It was one of my favorite scripted series of the year. Intriguingly off-kilter characters amidst a fantastically rich landscape. It’s a darned shame that series creator Noah Hawley didn’t win for Outstanding Writing.
  • Kudos to Louis C.K. for winning for Outstanding Writing for a Comedy Series for the Louie episode, “So Did the Fat Lady.” Even more kudos to Louis C.K. for immediately thanking actress Sarah Baker for owning those words.
  • Seth Meyers was a fine, if not memorable, host. I am a huge Seth Meyers fan, but this material wasn’t the sharpest. However, he did excel when riffing off his SNL friend or celebrity audience members who were game for participation.

    Source: giphy.com

  • Sorry HBO, looks like your decision to move True Detective out of Movie/Miniseries and into Drama Series backfired spectacularly. HBO logic followed that by submitting True Detective as a Drama series, The Normal Heart would be able to reap all the Emmy bounty in the Movie/Miniseries category. Unfortunately for HBO, not only did Matthew McConaughey lose the Emmy, but so did every single nominated actor from The Normal Heart: Jim Parsons, Matt Bomer, Joe Mantello, Alfred Molina, Mark Ruffalo, and Julia Roberts. Whoops!
  • No to Weird Al parodies.
  • No to Sofia Vergara objectification.
  • Yes to Billy Crystal tributes: “Robin Williams: What a concept.”
  • Jon Hamm will probably never win an Emmy for Mad Men.
  • Amy Poehler will probably never win an Emmy for Parks and Recreation.
  • If the groundbreaking Orange is the New Black couldn’t stop the Modern Family juggernaut, what can?
  • Billy Eichner and Billy on the Street will always be a goddamned delight.

My Knee-jerk 2012 Emmy Nominee Reactions!

The 2012 Emmy nominations were announced this morning, by Scandal‘s Kerry Washington and Jimmy Kimmel, filling in Parks and Recreation‘s Nick Offerman (an egregious snub if there ever was one!). Unsurprisingly, Mad Men took with 17 nominations, while very much surprisingly, American Horror Story did the same. Oh, how shrewd of you, FX, submitting AHS as a mini-series. Downton Abbey joined the ranks of outstanding drama series this year, after being submitted as a mini-series last year, and it feels like every single cast member walked away with a nomination. Ditto for the cast of Modern Family.

In the world of drama, all outstanding drama nominees are deserving of praise (Boardwalk Empire, Breaking Bad, Downton Abbey, Game of Thrones, Homeland, Mad Men), but I’d expect Mad Men to win yet again. I’m personally rooting for Breaking Bad. I’m especially thrilled to see Anna Gunn finally receive recognition for her role as Skylar White as well as the brilliantly nuanced Mark Margolis who played Tio Salamanca. DING! DING! DING!

On the comedy front, the Emmy nominations for outstanding writing for a comedy series should have been also been for outstanding comedy series: Parks and Recreation, Community, Louie, and Girls (the only one of these four series to be nominated for series). These four series, ladies and gentlemen, are the four best comedies on television. But granted, this is no small consolation prize. Writing for comedy is HARD. And all hail Louis C.K. and Lena Dunham! While Louie failed to score a nod for comedy series, Louis C.K. broke the record for the most nominations for an individual (acting, directing, writing for Louie and four noms for “Louis C.K. Live At the Beacon Theatre.”). I’m beyond thrilled that Girls and Dunham (nominated for writing, directing, acting, and producing) were able to surpass any initial viewer polarization and garnered exemplary recognition for its brave and groundbreaking first season.

In reality land, Jeff Probst was not nominated for outstanding reality television host this year, the only person to ever to win the award since its creation four years ago. What a shocker! But surprise! Inexplicably it’s the unstoppable Betty White who was nominated for hosting Betty White’s Off Your Rockers and knocked down the reigning host champ. Ridiculous. THAT MEANS THAT THIS IS YOUR YEAR, CAT DEELEY! Even my own mother has lamented how you have yet to win this award. Elsewhere on the reality front, The Voice bumped out American Idol, but we all know that the increasingly stale The Amazing Race will walk away with yet another win. YAWN.

A couple more stray thoughts: Kudos to the late, great Kathryn Joosten for Desperate Housewives. And will you look at how the mighty have deservedly fallen?! There were only three nominations for Glee (makeup, cinematography, and the stalwart Dot-Marie Jones for guest actress), and a whopping zero nominations for The Office. Also, if Missing was able to be submitted as a mini-series, after effectively being canceled this summer after one season, then why not the genius that is Awake?!

Lastly, THIS: