Emmys 2014: Déjà vu all over again

The 66th Primetime Emmy Awards hosted by Seth Meyers took place this past Monday night, but you wouldn’t be blamed for having a strange feeling that the only difference from past ceremonies was not airing on its usual Sunday.

Source: giphy.com

Can’t shake off that feeling of déjà vu? Don’t worry, it’s not you; it’s just the Emmys. Here are the staggering stats for this year’s acting winners:

  • Ty Burrell – Supporting Actor in a Comedy, Modern Family
    • 2nd win, 5th consecutive nomination
  • Allison Janney – Supporting Actress in a Comedy, Mom
    • 6th win, 2 wins this year, 8th nomination
  • Jim Parsons – Lead Actor in a Comedy, Big Bang Theory
    • 4th win, 7th nomination (2 noms this year)
  • Julia Louis-Dreyfus – Lead Actress in a Comedy, Veep
    • 3rd consecutive win, 5th career Emmy, 18th nomination
  • Kathy Bates – Supporting Actress in Miniseries/Movie, American Horror Story: Coven
    • 2nd win, 11th nomination
  • Martin Freeman – Supporting Actor in Miniseries/Movie, Sherlock: His Last Vow
    • 1st win, 3rd nomination (2 noms this year)
  • Jessica Lange – Lead Actress in Miniseries/Movie, American Horror Story: Coven
    • 3rd win, 6th nomination
  • Benedict Cumberbatch – Lead Actor in Miniseries/Movie, Sherlock: His Last Vow
    • 1st win, 3rd nomination
  • Aaron Paul – Supporting Actor in a Drama, Breaking Bad
    • 3rd win, 5th nomination
  • Anna Gunn – Supporting Actress in a Drama, Breaking Bad
    • 2nd consecutive win, 3rd nomination
  • Julianna Margulies – Lead Actress in a Drama, The Good Wife
    • 3rd win, 10th nomination
  • Bryan Cranston – Lead Actor in a Drama, Breaking Bad
    • 5th win, 12th nomination
Emmys_2014_Bryan_Cranston

Source: giphy.com

Did you catch that? In series acting, every single winner had won an Emmy before. There were only two first-time Emmy winners in Benedict Cumberbatch and Martin Freeman.

Now let’s look at the series winners:

  • The Amazing Race – Outstanding Reality-Competition Series
    • 10th win, 11th nomination [UGHHHHHHHHHH]
  • Fargo – Outstanding Miniseries
    • 1st win, 1st nomination [YAY!]
  • The Colbert Report – Outstanding Variety Series
    • 2nd consecutive and last win, 9th nomination
  • Modern Family – Outstanding Comedy Series
    • 5th consecutive win, 5th nomination [UGHHHHHHHHHH]
  • Breaking Bad – Outstanding Drama Series
    • 2nd consecutive win, 5th nomination [YAY!]

This is not to put down any of the impressive talents of this year’s winners, as there are certainly well-deserved winners in this bunch (well, not you, The Amazing Race). The Emmy voters are broken, sticking with familiar nominees in a brazenly predictable fashion. This voting pattern becomes increasingly frustrating year after year, especially when there are dynamic fresh faces nominated or overlooked perennial nominees. But why do we collectively groan at Jim Parson’s or Ty Burrell and Modern Family‘s wins, but cheer wildly for the wins of Aaron Paul, Anna Gunn, Bryan Cranston, and Breaking Bad? There’s a perceived difference here between voting complacency and voting for excellence.

In its first season, Modern Family was an excellent series, but five years later, it is simply an OK one. Its wins are simply passé and uninspired, surpassed by Veep‘s sharpness and Orange is the New Black‘s audacity. There are clearly more vibrantand funnyseries elsewhere. Breaking Bad, however, is in the pantheon of all-time greatest television shows. As the show progressed, it just kept getting better. Last season’s gut-wrenching “Ozymandias” was one of Breaking Bad‘s, if not television’s, finest hours. It rightfully won Moira Walley-Beckett an Emmy for Outstanding Writing for a Drama Series and was the submission episode for both Anna Gunn and Bryan Cranston. No one will argue that the Breaking Bad actors were undeserving of an Emmy trophy.

Source: giphy.com

Other Emmys thoughts:

  • Allison Tolman was ROBBED! Seriously and utterly robbed. Tolman was the beating heart within the dark, twisted soul of FX’s Fargo. While not as showy as her fellow scenery-chewing nominees or even Fargo costars, her steadfast and star-making turn as the cool and collected Molly Solverson was such a joy to watch. Damn you, Kathy Bates’ racist severed head!
  • Thank GOD Fargo won Outstanding Miniseries. It was one of my favorite scripted series of the year. Intriguingly off-kilter characters amidst a fantastically rich landscape. It’s a darned shame that series creator Noah Hawley didn’t win for Outstanding Writing.
  • Kudos to Louis C.K. for winning for Outstanding Writing for a Comedy Series for the Louie episode, “So Did the Fat Lady.” Even more kudos to Louis C.K. for immediately thanking actress Sarah Baker for owning those words.
  • Seth Meyers was a fine, if not memorable, host. I am a huge Seth Meyers fan, but this material wasn’t the sharpest. However, he did excel when riffing off his SNL friend or celebrity audience members who were game for participation.

    Source: giphy.com

  • Sorry HBO, looks like your decision to move True Detective out of Movie/Miniseries and into Drama Series backfired spectacularly. HBO logic followed that by submitting True Detective as a Drama series, The Normal Heart would be able to reap all the Emmy bounty in the Movie/Miniseries category. Unfortunately for HBO, not only did Matthew McConaughey lose the Emmy, but so did every single nominated actor from The Normal Heart: Jim Parsons, Matt Bomer, Joe Mantello, Alfred Molina, Mark Ruffalo, and Julia Roberts. Whoops!
  • No to Weird Al parodies.
  • No to Sofia Vergara objectification.
  • Yes to Billy Crystal tributes: “Robin Williams: What a concept.”
  • Jon Hamm will probably never win an Emmy for Mad Men.
  • Amy Poehler will probably never win an Emmy for Parks and Recreation.
  • If the groundbreaking Orange is the New Black couldn’t stop the Modern Family juggernaut, what can?
  • Billy Eichner and Billy on the Street will always be a goddamned delight.

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The Naughty and Nice of 2011 TV

‘Tis the season for year-end “best of” lists. In honor of Santa Claus coming to town tonight, I’ve put myself in his boots and compiled a list of television shows I’ve found to be “Naughty” and “Nice” this year.

— — —

5 TV Shows on my Naughty List:

The Walking Dead

The first season of AMC’s zombie-fest was a fascinating, if not flawed, six-episode affair. The series was a ratings boon and enjoyed its fair share of critical and media attention. Unfortunately, all the good will and momentum The Walking Dead had accumulated was squandered in a sluggish return this fall. Simply put, there just wasn’t seven hours worth of material to stretch over the first part of the second season. What should have only taken at most two or three episodes, the search for Sophia became tiresome and repetitive. And as riveting as the final act in the barn standoff was, it felt wholly unearned.

The budget-saving decision of the series to stay in one location should have given plenty of opportunities for nuanced character development and growth, deepening our understanding of the characters we were already familiar with and introducing us to compelling new ones. Instead, we were treated with archetypes spouting off repetitive dialogue alternating between dour shouting matches and heavy-handed sanctimonious discussions. The more time spent with Rick and the survivors, the more I wanted a zombie to gobble them up, and there weren’t even that many zombies this season to begin with.

The cast of "The Walking Dead"

The Amazing Race

I have been a steadfast fan of The Amazing Race since its first season in 2001, but its most recent 19th season is my final outing for this globetrotting reality series. Shoot, I didn’t even complete watching the entire race. I gave up after a couple episodes after Survivor‘s Ethan and Jenna were eliminated for not reading one sentence on a display that wasn’t even clearly marked in typical The Amazing Race fashion. This type of blatant “twist” is pure manipulation, grasping at straws to create drama, and has become more and more prevalent in the game. The challenges themselves have become simpler and more straight-forward (read: waaaaaaay lamer). Fill and deliver bags of grass? Make cocktails? Really?! On top of these simplifications, the over-reliance of non-elimination legs and equalizers suck the tension and suspense dry from every episode. The diminishing returns of The Amazing Race have disappointed me one too many times and I let this show go from my weekly viewing roster.

Weeds

Despite all of the flack Weeds had received in the seasons following the Botwin’s flight from Agrestic/Majestic, last summer’s season six was a refreshing return to form. With Nancy’s family (plus Doug) on the run and especially with Nancy’s Michigan homecoming, the series’ focus tightened on the familial relationships, gaining in the process a strong sense of pathos never before seen on the show. Nancy Botwin was finally forced to accept that her actions held consequences and the season six finale left the possibilities for the next season wide open.

However, this year’s seventh season become yet another sadly squandered opportunity. Instead of a revitalization, it was almost as if the reset button had been pushed on the Botwins. The season’s storylines were too broad and never added up to anything significant or even that dramatic. What depth did Heylia’s return really add? Or the polyamorous relationship Andy became involved in? While Shane’s police internship became a showcase of poor acting choices, the one saving grace of the season was Hunter Parrish’s Silas. His competition against his mother showcased a solid performance, but even so, his character was effectively neutered in the final episode.

Silas Botwin (Hunter Parrish)

Entourage

While Jeremy Piven’s gave his strongest and most compelling portrayal of Ari Gold in Entourage‘s final season, as a broken man trying to save his marriage, it wasn’t enough to make up for the blah storylines ranging from E’s snoozy relationship drama to Turtle’s baffling ascendance into millionairedom. And each and every member of the Entourage gang gets a happy ending? I guess that’s to be expected in this Hollywood fairytale. Yawn.

The Killing

WHO KILLED ROSIE LARSON? After spending the entirety of a soggy season in Seattle, we still have no idea. The Killing was an exercise in mismanaged expectations. We expected a game-changing police procedural, but instead were given a slow burn of red herrings, maudlin scene after maudlin scene, and barely-there character development. Sure, The Killing provided a couple of arresting cliffhanger endings to its episodes, but storytelling patterns soon arose and the “shocking” developments would be wiped clean at the top of the next episode. If any good came from the series, it was that American audiences were introduced to the riveting Joel Kinnaman (the Swedish-American actor who plays Stephen Holder), whose all-too-brief cameo in David Fincher’s The Girl with the Dragon Tattoo gave me more joy than the entire first season of The Killing.

Stephen Holder (Joel Kinnaman) and Sarah Linden (Mireille Enos)

Dishonorable Mention: Glee

A hot mess of a show, Glee is a flurry of convoluted, nonsensical storylines and inconsistent characterizations. And just when it offers a glimmer of entertaining logic and coherence, it pulls the rug from under you and leaves you banging your head against a wall. What a tease. So why do I keep watching a show that provides more frustration than joy? I’m holding out for the extremely rare radiance that only a show like Glee can muster. There’s a good show buried somewhere deep inside.

Unfortunately, way more often than not, Glee churns out absurd obnoxious “Extraordinary Merry Christmas” lumps of coal than it does brilliant showcases for its strongest performers, Naya Rivera and Heather Morris. My wish this Christmas? Less Sue Sylvester and Mr. Schue. Notice that Glee’s strongest efforts of “Duets,” “Silly Little Love Songs,” and even “Asian F” have been when the glee kids are the sole focus. None of this messy adult drama or cartoonish villainy. Glee triumphs when the teenagers are left to their own devices and are simply being teenagers, dealing with their own crazy hormones. The teen cast, as large enough as it is, should be enough to carry the show.  And for the love of God, NO MORE WILL RAPPING.

— — —

5 TV Shows on my Nice List:

Breaking Bad

A weekly master class on superb acting, nuanced character study, artful cinematography, tightly-plotted storytelling, and plain ‘ol bad-assery. This season elevated the brilliant seasons that had preceded it with striking moments seared into our collective memory. Jesse Pinkman’s decent into numbness via Roomba-cam. Walter White’s bone-chilling cackling in “Crawl Space.” “Face-Off.” Breaking Bad is simply the best show of the year and is a series worthy of every damn accolade bestowed upon it.

[Click here for more of my thoughts on Breaking Bad’s fourth season premiere, “Box Cutter.”]

Parks and Recreation

The award for Most Endearingest and Heartwarmingly Hilarious Series goes to Parks and Recreation.

Treat. Yo. Self.

And while you’re at it, pass me some tissues, I think there’s something in my eye…

Parks and Recreation just gets better and better with every season. Amy Poehler as Leslie Knope is a comic tour de force and the ensemble backing her up is bar none, from Adam Scott’s nerd du jour Ben Wyatt to Nick Offerman’s RON EFFING SWANSON. The world of Pawnee is so richly developed, spending time with any of the supporting players is time well spent.

The cast of "Parks and Recreation"

Community

While not every episode of Community this season has been a home run, this third season has been a deft blend of the first season’s small-scale focus with last season’s high-concept absurdist outings. Witness “Foosball and Nocturnal Vigilantism’s” blend of poignant character study with an amazing foosball tourney done all in ANIME. Community is a rarity of a series, one that juggles a pop culture-soaked bite and wit with a beating, emotional heart.

On top of that, Community had one of my favorite lines of television this year:

“You’re the AT&T of people!!!” – Troy the Obtuse, to Britta the Needlessly Defiant

[For a more in-depth look at two Parks and Recreation and Community episodes from this fall, click here.]

The Sing-Off

Hands-down, The Sing-Off is the best showcase of vocal talent on television. Welcome to a modest little reality competition where the judges (Sara Bareilles, Ben Folds, and Shawn Stockman) are charming and knowledgeable, the host (Nick Lachey) is delightfully cheesy, and the talent (Pentatonix, Delilah, Afro Blue, Vocal Point, et al) is palpable and off-the-charts. To be fair, I was a collegiate a cappella performer myself, but that doesn’t take away from the fact that The Sing-Off was sheer entertainment no matter the level of familiarity.

Pentatonix, the winners of this third season of The Sing-Off are all at once gifted vocal powerhouses and masterfully inventive musical arrangers. Just watch their breathtaking performance of Florence + the Machine’s “Dog Days Are Over.” Pentatonix for the freakin’ win.

On a side note, I cannot stress enough how thankful I am that Nicole Scherzinger was removed from The Sing-Off judging panel and almost single-handedly destroyed The X-Factor and hopefully her own career.

Louie

You never know what you’ll get with a given episode of FX’s Louie. A raunchy musing on masturbation perhaps. Or a startling trip to a racist relative’s house. Or maybe a sincere dedication to our troops overseas. Whatever it is, one thing is for certain: Louis C.K. will not only get you laughing, but thinking as well. What is so brilliant about Louie is that as the writer, director, and lead performer of the series, Louis C.K. does whatever the f*ck he wants to and he does so with an openness unlike anything else on television. We are privileged to be let into his genius.

Honorable Mention: Ty Burrell at the Emmys

Ty Burrell raised the bar for acceptance speeches with his Emmy win for Outstanding Supporting Actor in a Comedy Series for Modern Family. Funny. Heartfelt. Classy. I was moved to tears.

— — —

Naughty and Nice (with a dash of spice):

The Top Chef Franchise

Top Chef: All-Stars was a pure delight to watch. The challenges were memorable: Sesame Street judges! Jimmy Fallon! Overnight at the American Museum of Natural History! The drama and rivalries between the cheftestants were present, but not overpowering. The returning chefs were at the top of the game and as charming as ever (I myself was rooting for my girl, Carla “Hootie Hoo” Hall. Honestly though, who wasn’t?). The entire season made me grin from ear to ear.

Unfortunately, Top Chef: Texas has messed with the winning formula so much that the series has almost become unrecognizable. While I admire the producers for attempting to shake things up, the results have been a mixed bag. Just because you’re in Texas doesn’t mean everything needs to bigger. The first two semi-final episodes were a complete waste. The judging was hurried and there was little to no point in getting invested in cheftestants we saw for five minutes. As a result, I’ve been unable to distinguish the cheftestants’s cooking talents from one another, let alone their personalities. The initial challenges were imbalanced, as there were one too many team challenges and not enough opportunities for the chefs to cook their own food. The constant changing in locales has left the show feeling untethered and vagrant. I especially miss the Judge’s Table setting, sitting around a restaurant table just doesn’t carry the same weight as an imposing judging room. As the competition narrows down the chef roster, I hope the series finds its footing.

The third season of Top Chef Masters was a wholly bland affair, severely lacking in any drama or charisma, while the second outing of Top Chef: Just Desserts proved to be a sweetly satisfying affair.